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THE

NUCLEAR FAMILY

1969

 

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

I

THE

MESSAGE

unless integral to quoted work.

all arithmetical machinations, emphasis,

comment, insertions subterfuge and insinuations

are those of the Zed Aliz Zed as recorded by the far yonder scribe.

 

 

I

ME

THE

MESSAGE

UNLESS INTEGRAL TO QUOTED WORKS

ALL

ARITHMETICAL MACHINATIONS

EMPHASIS

COMMENT INSERTIONS SUBTERFUGE AND INSINUATIONS

ARE

THOSE OF THE ZED ALIZ ZED AS RECORDED BY THE FAR YONDER SCRIBE

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann

1875 - 1955

JOSEPH THE PROVIDER

Page 967

"But I am King, and teacher; I may not think what I cannot teach. Whereas such a one very soon learns not even to think the unteachable."
Here Tiy, his mother, cleared her throat, rattled her ornaments, and said, looking ahead of her into space:
"Pharaoh is to be praised when he practises statesmanship in matters of religious belief and spares the simplicity of the many. That is why I warned him not to wound the popular attachment to Usir, king of the lower regions. There is no contradiction between knowing and sparing, in this connection; and the office of teacher need not darken knowledge. Never have priests taught the multitude all they themselves know. They have told them what was wholesome, and wisely left in the realm of the mysteries what was not beneficial. Thus knowledge and wisdom are together in the world, truth and forbearance. The mother recommends that it so remain."
"Thank you, Mama," said Amenhotep, with a deprecating bow. "Thank you for the contribution. It is very valuable and will for / Page 968 / eternal ages be held in honour. But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there
. is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching.

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann

1875 - 1955

JOSEPH THE PROVIDER

Page 967

ALL TOO BLISSFUL

"But I am King, and teacher; I may not think what I cannot teach. Whereas such a one very soon learns not even to think the unteachable."
Here Tiy, his mother, cleared her throat, rattled her ornaments, and said, looking ahead of her into space:
"Pharaoh is to be praised when he practises statesmanship in matters of religious belief and spares the simplicity of the many. That is why I warned him not to wound the popular attachment to Usir, king of the lower regions. There is no contradiction between knowing and sparing, in this connection; and the office of teacher need not darken knowledge. Never have priests taught the multitude all they themselves know. They have told them what was wholesome, and wisely left in the realm of the mysteries what was not beneficial. Thus knowledge and wisdom are together in the world, truth and forbearance. The mother recommends that it so remain."
"Thank you, Mama," said Amenhotep, with a deprecating bow. "Thank you for the contribution. It is very valuable and will for / Page 968 / eternal ages be held in honour. But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there
is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching.

 

 

I

SAY

ALWAYS

SPEAK THE TRUTH RUTH GODS TRUTH RUTH SPEAK THE TRUTH

 

 

LOOKING FOR THE ALIENS

A PSYCHOLOGICAL, SCIENTIFIC AND IMAGINATIVE INVESTIGATION

Peter Hough & Jenny Randles 1991

12

Page 98

Somewhere over the Interstellar Rainbow

"In 1985, Glasgow University astronomer Professor Archie Roy was in buoyant mood. He told a journalist from the London Observer that, with new efforts to search the universe for intelligent signals, 'we can expect to make contact very quickly, probably within a decade.' He added that he thought civilizations were 'ten a penny' in the cosmos.

A year later, in an interview with Paul Whitehead in Flying Saucer Reuiew (volume 31, number 3,1986) Professor Roy confirmed this view by saying, 'if we are the product of natural evolution, it is highly improbable that we are alone in the universe.' Presumably this leaves the door open just in case we are not solely the product of natura1 processes (as scientists understandably assume), but are also the creation of a mystic force, otherwise known as God.

Roy actively pursues his broad1y based interest in this search. He subsequently became associated with Flying Saucer Review, and he has also become an active researcher and spokesperson in the heated debate over the potential 'alien' messages said by some to lie behind those crop circles recently found dotting the rural landscapes of our world.
However, the astronomer's seemingly reasonable hopes are, as yet, a long way from being fulfilled. Contact is proving unexpectedly elusive, which has led to some quite contradictory statements.

For instance, in 1981 Michael Papagiannis, of the astronomy department at Boston University, said that:

The euphoric optimism of the 'sixties and early 'seventies that communication with extraterrestrial civilizations seemed quite possible is being slowly replaced in the last couple of years by a pessimistic acceptance that we might be the only technological civilization in the entire galaxy.
(Royal Astronomical Society journal, volume 19, pp.277-281)

One can hardly find more polarized opinions than these, and they represent a crucial debate that increasingly dominates the field. While there seems to be a gut reaction based on deductive logic shared by most scientists, implying that life should be 'out there' in great abundance, there is mounting concern at our continued failure to find it.

Long before we understood the universe in any detail, we dreamt about this quest for alien life, and, as we have seen, still speculate on /Page 99 / what forms such beings might take. When science fiction became popular during the last century, we even began to wonder how we might establish contact.

Early ideas were ingenious, but impractical: such as building a giant mirror and using sunlight to send Morse-code signals to the (then still plausible) inhabitants of the moon or Mars. Of course, the limitations of physics meant that this could never work, even if there were Martians to see the signals. Only the brightest light that we can produce (a nuclear explosion) is potentially visible from another world and this lasts such a brief time that it is hardly likely to produce incontrovertible proof of life on earth. Alien scientists would dismiss any sightings just as freely as ours now reject claims about UFO appearances.

Another problem concerned the code to be used. How could the Martians have recognized the message, even if they had been able to see it? To thcm it would have been a meaningless series of flashes. How would they have unravelled any meaning bchind it?

This problem exists even if it is assumed (as it nearly always was back then) that Martians, although probably looking like bug-eyed monsters, would still think like human beings. The truth is surely that aliens would be alien in every way and their thought processes would not work in the same manner as ours. That said, the chances of any message from us to them being remotely comprehensible appear to be feeble.

In science-fiction stories and films, such a problem is largely ignored, but that is merely an expediency to help the plot along. We suspend scientific logic to accommodate the story line. However, in any real search for life in the universe, we cannot afford to ignore such scientific reasoning. This complicates matters so much that one or two researchers even think it is a forlorn task. We will never communicate with an alien intelligence, even if we do come across one by chance. The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse.
These problems receive too little attention, even today. Our ability to humanize the aliens is an extreme failure on our part, which academics refer to as 'anthropomorphism'

Page 99

"The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse".

 

 

MAN AND THE STARS

CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE

Duncan Lunan 1974

a

liberating adventure for mankind or a disaster

Page 219

Planetary contact 3(c) - intelligence unrecognizable by physical form.

"There is a fantasy story about a university professor mysteriously translated into the body of a bull. After great efforts to communicate he finally gets the opportunity to write a message in the bloody sand of the slaughterhouse."

 

 

MARIO AND THE MAGICIANS

THOMAS MANN

1875 - 1955

18

THE

TABLES OF THE LAW

Page 289

"...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS

OF ALL THE LANGUAGES OF ALL THE PEOPLE

COULD, IF NEED BE, BE WRITTEN,..."

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875 - 1955

Page 660

"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."

"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."

 

 

FINGERPRINTS OF THE GODS
 
G Hancock1995
 
Page 287
 
 "What one would look for, therefore, would be a universal language"
 
 
Page 287
 
 

"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"

 

 

LIGHT AND LIFE
 
Lars Olof Bjorn
 
1976
 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).

IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.

 
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
 

1 000 000 000 'LETTERS'."

 

 

 AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

HURRAH FOR RAH FOR RAH HURRAH

I

SAY

HAVE I MENTIONED DIVINE THOUGHT DIVINE LOVE DIVINE REALITY HAVE I MENTIONED

THAT

 

 

THE LOST LANGUAGE OF SYMBOLISM

Harold Bayley 1912

Page 278

""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."

 

6
ISH-ISH
72
36
9
4
ISHI
45
36
9

 

Page 278

"ONE-EYE, TWO-EYES, THREE-EYES"

"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,

 

 

I

ME

I SAY ISIS SAY I

I SAY OSIRIS SAY I

I SAY CHRIST SAY I

I SAY KRISHNA SAY I

I SAY RISHI ISHI ISHI RISHI SAY I

ART THOU A RISHI A RISHI THOU ART

I SAY VISHNU SHIVA SHIVA VISHNU SAY I

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

ART THOU A RISHI A RISHI THOU ART

 

 

THE WHITE GODDESS

Robert Graves 1948

Page 337

Chapter Eighteen

THE BULL FOOTED GOD

"Isis is an onomatopoeic Asiatic word, Ish-ish, meaning 'she who weeps', because the Moon was held to scatter dew and because Isis, the pre-Christian original of the Mater Dolrosa, mourned for Osiris when Set killed him."

 

 

THE WHITE GODDESS

Robert Graves 1948

Page 149

Chapter Nine

GWIONS HERESY

"The Essene initiates, according to Josephus, were sworn to keep secret the names of the powers who ruled their universe under God. Were these powers the letters of the Boibel-Loth which together, composed the life and death story of their demi-god Moses? 'David' may seem to belong to a later context than the others, but it is found as a royal title in a sixteenth century B.C inscription; and the Pentateuch was not composed until long /Page 150/ after King David's day Moreover, David for the Essenes was the name of the promised messiah."

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

THE HOLY BIBLE

Scofield References

Hosea Chapter 2

Page 922/923

16

And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.

17

For I will take away the names of Baalim out of her mouth, and they shall no more be remembered by their name.

18

And in that day will I make a covenant for them with the beasts of the field and with the fowls of heaven, and with the creeping things of the ground: and I will break the bow and the sword and the battle out of the earth, and will make them to lie down safely.

19

 And I will betroth thee unto me for ever; yea, I will betroth thee unto me in righteousness, and in judgment, and in lovingkindness, and in mercies.

20

I will even betroth thee unto me in faithfulness: and thou shalt know the LORD

21

And it shall come to pass in that day, I will hear, saith the LORD, I will hear the heavens, and they shall hear the earth;

22

And the earth shall hear the corn, and the wine, and the oil; and they shall hear Jezreel.

23

And I will sow her unto me in the earth; and I will have mercy upon her that had not obtained mercy; and I will say to them which were not my people, Thou art my people; and they shall say, Thou art my God.

 

 

EL HELL GABRIEL RAPHAEL MICHAEL EL SHADDAI

GABRIEL

ARIEL

RAPHAEL MICHAEL

GABRIEL RAPHAEL MICHAEL

 

 

THE

LOST LANGUAGE OF SYMBOLISM

AN ENQUIRY INTO THE ORIGIN OF CERTAIN

LETTERS, WORDS, NAMES, FAIRY-TALES, FOLK-LORE AND MYTHOLOGIES

Harold Bayley 1912

Page 284
"It is obvious that Jeshurun or "ISRAEL" refers frequently to something more than an historic tribe of Semitic demon-worshippers, and that ISRAEL, he or she, is sometimes a personification of the individual soul wandering in the wilderness. I suggest that the name ISRAEL resolves itself naturally into Is, " the Light of," RA, " the eternal Sun which has existed for ever,"

 

 

THE JESUS MYSTERIES

 
WAS THE ORIGINAL JESUS A PAGAN GOD
 
Timothy Freke & Peter Gandy 1999
 
"This book is dedicated to the Christ in you"

Page 177

"THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS, IN WHICH EVERYTHING,WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS, WITH NO HEADINGS, CHAPTER OR VERSE DIVISIONS, AND PRACTICALLY NO PUNCTUATION OR SPACES BETWEEN WORDS. THEY WERE NOT WRITTEN IN THE ARAMAIC OF THE JEWS BUT IN GREEK"

 

 

SUNDAY + MONDAY + TUESDAY + WEDNESDAY + THURSDAY + FRIDAY + SATURDAY

639 198 36 9

9

9 36 198 639

SATURDAY + FRIDAY + THURSDAY + WEDNESDAY + TUESDAY + MONDAY + SUNDAY

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

 

THE USBORNE BOOK OF

FACTS AND LISTS

Lynn Bressler (no date)

Page 82

10 most spoken languages
Chinese 700,000,000 English 400,000,000 Russian 265,000,000 Spanish 240,000,000 Hindustani 230,000,000 Arabic 146,000,000 Portuguese 145,000,000 Bengali 144,000,000 German 119,000,000 Japanese 116,000,000

The first alphabet
The Phoenicians, who once lived where Syria, Jordan and Lebanon are today, had an alphabet of 29 letters as early as 1,700 BC. It was adopted by the Greeks and the Romans. Through the Romans, who went on to conquer most of Europe, it became the alphabet of Western countries.

Sounds strange
One tribe of Mexican Indians hold entire conversations just by whistling. The different pitches provide meaning.

The Rosetta Stone
 The Rosetta Stone was found by Napoleon in the sands of Egypt. It dates to about 196 BC.
On it is an inscription in hieroglyphics and a translation in Greek. , Because scholars knew ancient Greek, they could work out what the Egyptian hieroglyphics meant. From this they learned the language of the ancient Egyptians.

Did You Know Many Chinese cannot understand each other. They have different ways of speaking (called dialects) in different
parts of the country. But today in schools allover China, the children are being taught one dialect (Mandarin), so that one day all Chinese will understand each other.

Translating computers
Computers can be used to help people of different nationalities, who do not know each others' language, talk to each other. By giving a computer a message in one language it will translate it into another specified language.

Worldwide language
English is spoken either as a first or second language in at least 45 countries. This is more than any other language. It is the language of international business and scientific conferences and is used by airtraffic controllers worldwide. In all, about one third of the world speaks it.

Page 83

Earliest writing Chinese writing has been found on pottery, and even on a tortoise shell, going back 6,000 years. Pictures made the basis for their writing, each picture showing an object or idea. Probably the earliest form of writing came from the Middle East, where Iraq and Iran are now. This region was then ruled by the Sumerians.

The most words

English has more words in it than any other language. There are about1 million in all, a third of which are technical terms. Most
people only use about 1 per cent of the words available, that is, about 10,000. William Shakespeare is reputed to have made most use of the English vocabulary.

A scientific word describing a process in the human cell is 207,000 letters long. This makes this single word equal in length to a short novel or about 80 typed sheets of A4 paper.

Many tongues
A Frenchman, named Georges Henri Schmidt, is fluent (meaning he reads and writes well) in 31 different languages.

International language
Esperanto was invented in the 1880s by a Pole, Dr Zamenhof. It was hoped that it would become the international language of Europe. It took words from many European countries and has a very easy grammar that can be learned in an hour or two.
The same language

The languages of India and Europe may originally come from just one source. Many words in different languages sound similar. For example, the word for King in Latin is Rex, in Indian, Raj, in Italian Re, in French Roi and in Spanish Rey. The original language has been named Indo-European. Basque, spoken in the French and Spanish Pyrenees, is an exception. It seems to have a different source which is still unknown.

Number of alphabets
There are 65 alphabets in use in the world today. Here are some of them: Roman
ABCDEFGHUKLMNOPQRS Greek  Russian (Cyrillic) Hebrew  Chinese (examples omitted)

 

 

14 Dec 2008 ... Retrieved from "http://en.wikipedia.org/wiki/Johann_Gottfried_Herder". Categories: 1744 births | 1803 deaths | Christian philosophers ... en.wikipedia.org/wiki/Johann_Gottfried_Herder

 

Johann Gottfried Herder

Johann Gottfried von Herder (August 25, 1744 – December 18, 1803) was a German philosopher, poet, and literary critic. He is associated with the periods of Enlightenment, Sturm und Drang, and Weimar Classicism.

Herder sought to harmonize his conception of sentiment with reason, whereby all knowledge is implicit in the soul; the most elementary stage is sensuous and intuitive perception which by development can become self-conscious and rational. To Herder, this development is the harmonizing of primitive and derivative truth, of experience and intelligence, feeling and reason.

Herder is the first in a long line of Germans preoccupied with this harmony. This search is itself the key to much in German theory. And Herder was too penetrating a thinker not to understand and fear the extremes to which his folk-theory could tend, and so issued specific warnings. While regarding the Jews as aliens in Europe, he refused to adhere to a rigid racial theory, writing that "notwithstanding the varieties of the human form, there is but one and the same species of man throughout the whole earth".

He also announced that "national glory is a deceiving seducer. When it reaches a certain height, it clasps the head with an iron band. The enclosed sees nothing in the mist but his own picture; he is susceptible to no foreign impressions." And:

"It is the apparent plan of nature that as one human being, so also one generation, and also one nationality learn, learn incessantly, from and with the others, until all have comprehended the difficult lesson: No nationality has been solely designated by God as the chosen people of the earth; above all we must seek the truth and cultivate the garden of the common good. Hence no nationality of Europe may separate itself sharply, and foolishly say, "With us alone, with us dwells all wisdom."

 

 

GODS SPIRIT GODS

ARJUNA KRISHNA VISHNU SHIVA BRAHMA

ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST

SING A SONG OF NINES OF NINES A SONG SING

 

 

BHAGAVAD GITA

ARJUNA KRISHNA VISHNU SHIVA BRAHMA

 

 

GREAT PHILOSOPHIES OF THE EAST

E. W. F. Tomlin 1952

Page 159

"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were,careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:

Downward they roll, and then spring quickly upward, and handless, force

The man with hands to serve them.

Cast on the board, like lumps of magic charcoal, though cold themselves, they burn

The heart to ashes."

 

 

CHANCE, SKILL, AND LUCK

The psychology of guessing and gambling

John Cohen 1960

Page57

"The propounding of a riddle to an an opponent served a purpose similar to that of divination, for it provided him with an opportunity to demonstrate that the gods supported- him. The questioner held him bound until he found the solution, and once he had found it he was free. The riddle thus had a sacred significance. 10,11 Divination by lot or riddle was never merely a resort to meaningless chance. It was an appeal directed to ssupernatural powers, as when the Greek heroes cast lots to decide who would fight with Hector.12 Since it is impossible to predict the fall of a die or the result of casting lots the outcome must presumably be decided by divine intervention. The professional diviners in the market-places of China foretold the future by means of the samse lots with which the people gambled. To this day playing cards are used for telling fortunes as well as for gambling, on the assumption that a supernatural force influences the shuffling of the cards and hence governs the result. Divination embodies the idea that the gods themselves govern the universe by gambling. The Ases of Scandinavian myths, like the Hindu Siva, god of a thousand names', determined the fate of mankind by throw-/Page 58/ing dice. So, two, in Homer's Illiad (Bookxv), Poseidon, Zeus and Hades divide the world between them by shaking lots, which by their special power could reveal the will of the gods.13 In the myth of Osiris, Rhea (Nut= the heaven) had five children born on the the five 'epagomenal' days of the year, after the 360th day. Hermes (Thoth) had won those days during a game of draughts with Selene (the moon).

 

 

DOES GOD PLAY DICE

THE NEW MATHEMATICS OF CHAOS

Ian Stewart 1989

Page 1

PROLOGUE

CLOCKWORK OR CHAOS?

"YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER."

Albert Einstein, Letter to Max Born

 

 

The Death Of Forever

A New Future for Human Consciousness

Darryl Reanney (1995 Edition)

Page 219

(It was this indeterminate character of quantum mechanics that caused Einstein to complain that God 'did not play dice with the world'.)

 

 

TWO HANDS OF GOD

An Exploration of the Underlying Unity of all Things

Alan Watts 1963

The Cosmic Dance

Page 98

"In Puranic literature the Hindu gods, like those of the Greeks, disport themselves by descending to the human condition and allowing them selves to be carried away by human passions. This is perhaps a way of saying that at every level of /Page 98/ life- divine, human, or animal-the problem and predicament of life is the same; an eternal giving-in to the temptation of losing control of the situation, of trusting oneself to chance-the passion of the gambler. Hence the words of Krishna in the Bhagavad Gita " I am the gambling of the cheat."

 

 

DAILY MIRROR

Tuesday November 25, 2008

Front Page

By Bob Roberts, Political Editor

"THE GAMBLER"

"...ACES HIGH..."

"...holding winning hand..."

"...gamble..."

Page 4

"...gamble..."

"...gamble..."

Page 5

"...gamble..."

 

 

DAILY MAIL

Monday, November 24, 2008

Front Page

By Michael Lea Political Correspondent

"...GAMBLE ON YOUR FUTURE..."

"...gamble..."

Page 6

"...gamble..."

 

 

DAILY MAIL

Friday, August 10, 2007

By James Chapman Deputy Political Editor

Front Page

"...GAMBLING..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

Page 4

"Gambling our future"

"...Gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...Gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gambling..."

"...gamblers..."

"...gambling..."

Page 12/13

".Lucan I should be so lucky"

By Brian Masters

Page 13

"What ingrediants are needed to ensure these stories endure? The tales must involve somebody famous, somebody rich, somebody notorious, somebody dead, or somebody about whom mystery can be endlessly invoked. If you can manage all these then you have a winner"

"...gambled..."

 

 

PLAY UP PLAY UP AND PLAY THE GAME

 

 

ODDS I WIN TAILS YOU LOSE

 

 

AGAINST THE GODS

THE REMARKABLE STORY OF RISK

Peter L. Bernstein

Page 11

The Winds of the Greeks and the Role of the Dice

"Human beings have always been infatuated with gambling because it puts us head to head against the fates, with no holds barred. We enter this daunting battle because we are convinced that we have a powerful ally: Lady Luck will interpose herself between us and the fates / Page 12 /(or the odds) to bring victory to our side."

Page 50

"On the cast of one die"

 

 

GOD

Alexander Waugh

Page 162

Einstein's blunder. - When Einstein tried to refute quantum physics with his now famous dictum 'God does not play dice' He revealed his ignorance of scripture, for God does indeed play dice in the form of a game called urim and thummim. These flat stone dice are mentioned many times in the Hebrew Bible.

 

 

"I am the gambling of the cheat, and the splendor of splendid things I; I am victory, ...... Krishna, Gopi, Kundalini—The Evolutionary Energy in Man, ... www.ecomall.com/gopikrishna/timespace.htm
 
 
 
Chapter 10. The Opulence of the Absolute
 
 
 
Chapter 10, Verse 1.
 
The Supreme Lord said: My dear friend, mighty-armed Arjuna, listen again to My supreme word, which I shall impart to you for your benefit and which will give you great joy.
 
Chapter 10, Verse 2.
 
Neither the hosts of demigods nor the great sages know My origin, for, in every respect, I am the source of the demigods and the sages.
 
Chapter 10, Verse 3.
 
He who knows Me as the unborn, as the beginningless, as the Supreme Lord of all the worlds-he, undeluded among men, is freed from all sins.
 
Chapter 10, Verse 4-5.
 
Intelligence, knowledge, freedom from doubt and delusion, forgiveness, truthfulness, self-control and calmness, pleasure and pain, birth, death, fear, fearlessness, nonviolence, equanimity, satisfaction, austerity, charity, fame and infamy are created by Me alone.
 
Chapter 10, Verse 6.
 
The seven great sages and before them the four other great sages and the Manus [progenitors of mankind] are born out of My mind, and all creatures in these planets descend from them.
 
Chapter 10, Verse 7.
 
He who knows in truth this glory and power of Mine engages in unalloyed devotional service; of this there is no doubt.
 
Chapter 10, Verse 8.
 
I am the source of all spiritual and material worlds. Everything emanates from Me. The wise who know this perfectly engage in My devotional service and worship Me with all their hearts.
 
Chapter 10, Verse 9.
 
The thoughts of My pure devotees dwell in Me, their lives are surrendered to Me, and they derive great satisfaction and bliss enlightening one another and conversing about Me.
 
Chapter 10, Verse 10.
 
To those who are constantly devoted and worship Me with love, I give the understanding by which they can come to Me.
 
Chapter 10, Verse 11.
 
Out of compassion for them, I, dwelling in their hearts, destroy with the shining lamp of knowledge the darkness born of ignorance.
 
Chapter 10, Verse 12-13.
 
Arjuna said: You are the Supreme Brahman, the ultimate, the supreme abode and purifier, the Absolute Truth and the eternal divine person. You are the primal God, transcendental and original, and You are the unborn and all-pervading beauty. All the great sages such as Narada, Asita, Devala, and Vyasa proclaim this of You, and now You Yourself are declaring it to me.
 
Chapter 10, Verse 14.
 
O Krsna, I totally accept as truth all that You have told me. Neither the gods nor demons, O Lord, know Thy personality.
 
Chapter 10, Verse 15.
 
Indeed, You alone know Yourself by Your own potencies, O origin of all, Lord of all beings, God of gods, O Supreme Person, Lord of the universe!
 
Chapter 10, Verse 16.
 
Please tell me in detail of Your divine powers by which You pervade all these worlds and abide in them.
 
Chapter 10, Verse 17.
 
How should I meditate on You? In what various forms are You to be contemplated, O Blessed Lord?
 
Chapter 10, Verse 18.
 
Tell me again in detail, O Janardana [Krsna], of Your mighty potencies and glories, for I never tire of hearing Your ambrosial words.
 

Chapter 10, Verse 19.
 
The Blessed Lord said: Yes, I will tell you of My splendorous manifestations, but only of those which are prominent, O Arjuna, for My opulence is limitless.
 
Chapter 10, Verse 20.
 
I am the Self, O Gudakesa, seated in the hearts of all creatures. I am the beginning, the middle and the end of all beings.
 
Chapter 10, Verse 21.
 
Of the Adityas I am Visnu, of lights I am the radiant sun, I am Marici of the Maruts, and among the stars I am the moon.
 
Chapter 10, Verse 22.
 
Of the Vedas I am the Sama-veda; of the demigods I am Indra; of the senses I am the mind, and in living beings I am the living force [knowledge].
 
Chapter 10, Verse 23.
 
Of all the Rudras I am Lord Siva; of the Yaksas and Raksasas I am the Lord of wealth [Kuvera]; of the Vasus I am fire [Agni], and of mountains I am Meru.
 
Chapter 10, Verse 24.
 
Of priests, O Arjuna, know Me to be the chief, Brhaspati, the lord of devotion. Of generals I am Skanda, the lord of war; and of bodies of water I am the ocean.
 
Chapter 10, Verse 25.
 
Of the great sages I am Bhrgu; of vibrations I am the transcendental om. Of sacrifices I am the chanting of the holy names [japa], and of immovable things I am the Himalayas.
 
Chapter 10, Verse 26.
 
Of all trees I am the holy fig tree, and among sages and demigods I am Narada. Of the singers of the gods [Gandharvas] I am Citraratha, and among perfected beings I am the sage Kapila.
 
Chapter 10, Verse 27.
 
Of horses know Me to be Uccaihsrava, who rose out of the ocean, born of the elixir of immortality; of lordly elephants I am Airavata, and among men I am the monarch.
 
Chapter 10, Verse 28.
 
Of weapons I am the thunderbolt; among cows I am the surabhi, givers of abundant milk. Of procreators I am Kandarpa, the god of love, and of serpents I am Vasuki, the chief.
 
Chapter 10, Verse 29.
 
Of the celestial Naga snakes I am Ananta; of the aquatic deities I am Varuna. Of departed ancestors I am Aryama, and among the dispensers of law I am Yama, lord of death.
 
Chapter 10, Verse 30.
 
Among the Daitya demons I am the devoted Prahlada; among subduers I am time; among the beasts I am the lion, and among birds I am Garuda, the feathered carrier of Visnu.
 
Chapter 10, Verse 31.
 
Of purifiers I am the wind; of the wielders of weapons I am Rama; of fishes I am the shark, and of flowing rivers I am the Ganges.
 
Chapter 10, Verse 32.
 
Of all creations I am the beginning and the end and also the middle, O Arjuna. Of all sciences I am the spiritual science of the self, and among logicians I am the conclusive truth.
 
Chapter 10, Verse 33.
 
Of letters I am the letter A, and among compounds I am the dual word. I am also inexhaustible time, and of creators I am Brahma, whose manifold faces turn everywhere.
 
Chapter 10, Verse 34.
 
I am all-devouring death, and I am the generator of all things yet to be. Among women I am fame, fortune, speech, memory, intelligence, faithfulness and patience.
 
Chapter 10, Verse 35.
 
Of hymns I am the Brhat-sama sung to the Lord Indra, and of poetry I am the Gayatri verse, sung daily by Brahmanas. Of months I am November and December, and of seasons I am flower-bearing spring.
 
Chapter 10, Verse 36.
 
I am also the gambling of cheats, and of the splendid I am the splendor. I am victory, I am adventure, and I am the strength of the strong.
 
Chapter 10, Verse 37.
 
Of the descendants of Vrsni I am Vasudeva, and of the Pandavas I am Arjuna. Of the sages I am Vyasa, and among great thinkers I am Usana.
 
Chapter 10, Verse 38.
 
Among punishments I am the rod of chastisement, and of those who seek victory, I am morality. Of secret things I am silence, and of the wise I am wisdom.
 
Chapter 10, Verse 39.
 
Furthermore, O Arjuna, I am the generating seed of all existences. There is no being--moving or unmoving--that can exist without Me.
 
Chapter 10, Verse 40.
 
O mighty conqueror of enemies, there is no end to My divine manifestations. What I have spoken to you is but a mere indication of My infinite opulences.
 
Chapter 10, Verse 41.
 
Know that all beautiful, glorious, and mighty creations spring from but a spark of My splendour.
 
Chapter 10, Verse 42.
 

But what need is there, Arjuna, for all this detailed knowledge? With a single fragment of Myself I pervade and support this entire universe.

 

 

GREAT PHILOSOPHIES OF THE EAST

E. W. F. Tomlin 1952

Page 179

"The exposition of the principles of Karma Yoga leads Krishna to explain how so great a wisdom, though preached from the beginning of time has been neglected. The evil instincts of men, by mistaking the senses for organs of true knowledge, have obscured the knowledge of Brahman. For this reason Krishna is obliged from time to time to visit the world in bodily form. But unlike Arjuna who has also experienced many forms of existence, Krishna is endowed with the capacity to remember each of his incarnations. 'I seem to be born,' he says, 'but it is only seeming.' Only when evil appears to be gaining the upper hand, 'I make myself a body,' (We are given to understand that Krishna's human embodiment at this time represented the eighth incarnation of Vishnu.) He then issues his first clear statement of his mission as the saviour of mankind: 'He who knows the nature of my task and my holy birth Is not reborn. When he leaves this body he comes to me. Flying from fear, From lust and anger, he hides in me, His refuge, his safety: Burnt clean in the blaze of my being, In me many find home. Whatever wish men bring me in worship, That wish I grant them. Whatever path men travel Is my path: No matter where they walk It leads to me.' He then sums up his teaching about action in a fashion that, though paradoxical, contains truth even on a lower level than that of which he speaks, 'He who sees the inaction that is in action, and the action that is in inaction is wise indeed.'

 

 

WESTERN MYSTICISM

Dom Cuthbert Butler 1922

Page 74

"In this 'divine inaction' (passim1) the soul hath lost the free disposal of her own faculties, acting by a portion of the spirit above all faculties, and according to the actual touches of the Divine Spirit and apprehending God with an exclusion of all conceptions and apprehensions ... and is immediately united to God (ibid. p. 545).

1 'Divine inaction means God's action in the soul.

 

 

HOLY BIBLE

Scofield Reference

THE FIRST EPISTLE OF PAUL THE APOSTLE TO THE

CORINTHIANS

Page 1225/6/7/8

1 Moreover, brethren, I declare unto you the gospel which I preached unto you, which also ye have received, and wherein ye stand;

2 By which also ye are saved, if ye keep in memory what I preached unto you, unless ye have believed in vain.

3 For I delivered unto you first of all that which I also received, how that Christ died for our sins according to the scriptures;

4 And that he was buried, and that he rose again the third day according to the scriptures:

5 And that he was seen of Cephas, then of the twelve:

6 After that, he was seen of above five hundred brethren at once; of whom the greater part remain unto this present, but some are fallen asleep.

7 After that, he was seen of James; then of all the apostles.

8 And last of all he was seen of me also, as of one born out of due time.

9 For I am the least of the apostles, that am not meet to be called an apostle, because I persecuted the church of God.

10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.

11 Therefore whether it were I or they, so we preach, and so ye believed.

12 Now if Christ be preached that he rose from the dead, how say some among you that there is no resurrection of the dead?

13 But if there be no resurrection of the dead, then is Christ not risen:

14 And if Christ be not risen, then is our preaching vain, and your faith is also vain.

15 Yea, and we are found false witnesses of God; because we have testified of God that he raised up Christ: whom he raised not up, if so be that the dead rise not.

16 For if the dead rise not, then is not Christ raised:

17 And if Christ be not raised, your faith is vain; ye are yet in your sins.

18 Then they also which are fallen asleep in Christ are perished.

19 If in this life only we have hope in Christ, we are of all men most miserable.

20 But now is Christ risen from the dead, and become the firstfruits of them that slept.

21 For since by man came death, by man came also the resurrection of the dead.

22 For as in Adam all die, even so in Christ shall all be made alive.

23 But every man in his own order: Christ the firstfruits; afterward they that are Christ's at his coming.

24 Then cometh the end, when he shall have delivered up the kingdom to God, even the Father; when he shall have put down all rule and all authority and power.

25 For he must reign, till he hath put all enemies under his feet.

26 The last enemy that shall be destroyed is death.

27 For he hath put all things under his feet. But when he saith all things are put under him, it is manifest that he is excepted, which did put all things under him.

28 And when all things shall be subdued unto him, then shall the Son also himself be subject unto him that put all things under him, that God may be all in all.

29 Else what shall they do which are baptized for the dead, if the dead rise not at all? why are they then baptized for the dead?

30 And why stand we in jeopardy every hour?

31 I protest by your rejoicing which I have in Christ Jesus our Lord, I die daily.

32 If after the manner of men I have fought with beasts at Ephesus, what advantageth it me, if the dead rise not? let us eat and drink; for to morrow we die.

33 Be not deceived: evil communications corrupt good manners.

34 Awake to righteousness, and sin not; for some have not the knowledge of God: I speak this to your shame.

35 But some man will say, How are the dead raised up? and with what body do they come?

36 Thou fool, that which thou sowest is not quickened, except it die:

37 And that which thou sowest, thou sowest not that body that shall be, but bare grain, it may chance of wheat, or of some other grain:

38 But God giveth it a body as it hath pleased him, and to every seed his own body.

39 All flesh is not the same flesh: but there is one kind of flesh of men, another flesh of beasts, another of fishes, and another of birds.

40 There are also celestial bodies, and bodies terrestrial: but the glory of the celestial is one, and the glory of the terrestrial is another.

41 There is one glory of the sun, and another glory of the moon, and another glory of the stars: for one star differeth from another star in glory.

42 So also is the resurrection of the dead. It is sown in corruption; it is raised in incorruption:

43 It is sown in dishonour; it is raised in glory: it is sown in weakness; it is raised in power:

44 It is sown a natural body; it is raised a spiritual body. There is a natural body, and there is a spiritual body.

45 And so it is written, The first man Adam was made a living soul; the last Adam was made a quickening spirit.

46 Howbeit that was not first which is spiritual, but that which is natural; and afterward that which is spiritual.

47 The first man is of the earth, earthy; the second man is the Lord from heaven.

48 As is the earthy, such are they also that are earthy: and as is the heavenly, such are they also that are heavenly.

49 And as we have borne the image of the earthy, we shall also bear the image of the heavenly.

50 Now this I say, brethren, that flesh and blood cannot inherit the kingdom of God; neither doth corruption inherit incorruption.

51 Behold, I shew you a mystery; We shall not all sleep, but we shall all be changed,

52 In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.

53 For this corruptible must put on incorruption, and this mortal must put on immortality.

54 So when this corruptible shall have put on incorruption, and this mortal shall have put on immortality, then shall be brought to pass the saying that is written, Death is swallowed up in victory.

55 O death, where is thy sting? O grave, where is thy victory?

56 The sting of death is sin; and the strength of sin is the law.

57 But thanks be to God, which giveth us the victory through our Lord Jesus Christ.

58 Therefore, my beloved brethren, be ye stedfast, unmoveable, always abounding in the work of the Lord, forasmuch as ye know that your labour is not in vain in the Lord.

 

 

Bhagavad-Gita, iv, 5.

SRI KRISHNAS REMEMBERING

‘Many lives, Arjuna, you and I have lived, I remember them all, but thou dost not.’

 

 

Brahma

If the red slayer think he slays,

Or if the slain think he is slain

They know not well the subtle ways

I keep and pass and turn again.

R.W.Emerson

 

 

Bhagavad-Gita

Text 19

" ya enam vetti hantaram

yas cainam manyate hatam

ubhau tau na vijanito

nayam hanti na hanyate"

Bhagavad-Gita

As it is.

A. C. Bhaktivedanta Swami Prabhupada

Translation Chapter 2 Page 99/100

"Neither he who thinks the living entity the slayer nor he who thinks it slain is in knowledge, for the self slays not nor is slain."

 

 

‘who is the slayer and who is the victim. Speak’,

Sophocles

 

 

IN SEARCH OF THE MIRACULOUS

Fragments of an Unknown Teaching

P.D.Oupensky 1878- 1947

Page 217

" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "

 

THE TIBETAN BOOK OF THE DEAD

OR

The After-Death Experiences on the Bardo Plane, according to Lama Kazi Dawa-Samdup's English Rendering

Compiled and edited by

W.Y Evans-Wentz 1960

SRI KRISHNA'S REMEMBERING

"MANY LIVES, ARJUNA, YOU AND I HAVE LIVED, I REMEMBER THEM ALL, BUT THOU DOST NOT"

Bhagavad-Gita, iv, 5.

Page 222 (Addenda)


IV. THE GURU AND SHISHYA (OR CHELA) AND INITIATIONS


"Very frequently the Bardo Thodol directs the dying or the deceased to concentrate mentally upon, or to visualize, his tutelary deity or else hisspiritual guru, and, at other times, to recollect the teachings conveyed to him by his human guru, more especially at the time of the mystic initiation. Yogis and Tantrics ordinarily comment upon such ritualistic directions by saying that there exist three lines of gurus to whom reverence and worship are to be paid. The first and highest is purely superhuman, called in Sanskrit divyaugha, meaning . heavenly (or "divine ") line'; the second is of the most highly developed human beings, possessed of supernormal
/ Page 223 / or siddhic powers, and hence called siddhaugha; the third is of ordinary religious teachers and hence called manavaugha, 'human line'.1
Women as well as men, if qualified, may be gurus. The shihsya is, as a rule, put on probation for one year before receiving the first initiation. If at the end of that time he proves to be an unworthy receptacle for the higher teachings, he is rejected. Otherwise, he is taken in hand by the guru and carefully prepared for psychical development. A shihsya when on probation is merely commanded to perform such and such exercises as are deemed suitable to his or her particular needs. Then, when the probation ends, the shihsya is told by the guru the why of the exercises, and the final results which are certain to come from the exercises when successfully carried out. Ordinarily, once a guru is chosen, the shihsya has no right to disobey the guru, or to take another guru until it is proven that the first guru can guide the shihsya no further. If the shihsya develops rapidly, because of good karma, and arrives at a stage of development equal to that of the guru, the guru, if unable to guide the shihsya  further, will probably himself direct theshihsya to a more advanced guru.
For initiating a shihsya, the guru must first prepare himself, usually during a course of special ritual exercises occupying several days, whereby the guru, by 'invoking the gift-waves of the divine line of gurus, sets up direct communication with the spiritual plane on which the divine gurus exist. If the human guru be possessed of siddhic powers, this communion is believed to be as real as wireless or telepathic communication between two human beings on the earth-plane.
The actual initiation, which follows, consists of giving to the shishya the secret mantra, or Word of Power, whereby at-one-ment is brought about between the shihsya, as the new member of the secret brotherhood, and the Supreme Guru / Page 224 / 
who stands to all gurus and shishyas under him as the Divine Father. The vital-force, or vital-airs (prana-vayu), serve as a psycho-physical link uniting the human with the divine; and the vital-force, having been centred in the Seventh Psychic-Centre, or Thousand-petalled Lotus, by exercise of the awakened Serpent-Power, through that Centre, as through a wireless receiving station, are received the spiritual gift-waves of the Supreme guru. Thus is the divine grace received into the human organism and made to glow, as electricity is made to glow when conducted to the vacuum of an electric bulb; and the true initiation is thereby conferred and the shishya Illuminated.
In the occult language of the Indian and Tibetan Mysteries, the communication sits enthroned in the peri carp of the Thousand-petalled Lotus. Thither, by the power of the Serpent Power of the awakened Goddess Kundalini, the shishya, guided by the human guru, is led, and bows down at the feet of the Divine Father, and receives the blessing and the bene-diction. The Veil of Maya has been lifted, and the Clear Light shines into the heart of the shishya unobstructedly. As one Lamp is lit by the Flame of another Lamp, so the Divine Power is communicated from the Divine Father, the communication, to the newly-born one, the human shishya.
The secret mantra conferred at the initiation, like the Egyptian Word of Power, is the Password necessary for a conscious passing from the embodied state into the disembodied state. If the initiate is sufficiently developed spiritually before the time comes for the giving up of the gross physical body at death, and can at the moment of quitting the earth-plane remember the mystic mantra, or Word of Power, the change will take place without loss of consciousness; nor will the shishya of full development suffer any break "in the continuity of consciousness from incarnation to incarnation."

 

 

I

INCA

INCARNATION TO INCARNATION

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

Bury My Heart At Wounded Knee. New York, New York: Henry Holt and .... "They made us many promises, more than I can remember, but they kept only one, ... moh.tie.net/content/docs/RedCloud

 

RED CLOUD

MAKHIPIYA LULA 1822 1909

 

Red Cloud made many speeches and became quite a spokesman in his time, he
is still quoted today. One of his most famous quotes, still echoes today by Indians everywhere
"They made us many promises, more than I can remember, but they kept only one,
they promised to take our land and they did."

 

"THEY MADE US MANY PROMISES MORE THAN I CAN REMEMBER

BUT THEY KEPT ONLY ONE THEY PROMISED TO TAKE OUR LAND AND THEY DID"

 

 

Red Cloud. This is his farewell address to the Lakota people on July 4, 1903. " My sun is set. My day is done. Darkness is stealing over me. ... www.ilhawaii.net/~stony/redcloud.html

This is his farewell address to the Lakota people on July 4, 1903

 



RED CLOUD

MAKHIPIYA LULA 1822 1909

 

"My sun is set.  My day is done.  Darkness is stealing over me.
Before I lie down to rise no more, I will speak to my people
.

Hear me, my friends, for it is not the time for me to tell you a
lie.  The Great Spirit made us, the Indians, and gave us this land we live
in.  He gave us the buffalo, the antelope, and the deer for food and
clothing.  We moved our hunting grounds from the Minnesota to the Platte and
from the Mississippi to the great mountains.  No one put bounds on us.  We
were free as the winds, and like the eagle, heard no man's commands.        

 

I was born a Lakota and I shall die a Lakota.  Before the white man
came to our country, the Lakotas were a free people.  They made their own
laws and governed themselves as it seemed good to them.  The priests and
ministers tell us that we lived wickedly when we lived before the white man
came among us. Whose fault was this?  We lived right as we were taught it
was right.  Shall we be punished for thisI am not sure that what these people tell me is true.

As a child I was taught the Taku Wakan
(Supernatural Powers) were powerful and could do strange things.  This was
taught me by the wise men and the shamans.  They taught me that I could gain
their favor by being kind to my people and brave before my enemies; by
telling the truth and living straight; by fighting for my people and their hunting grounds.       

When the Lakotas believed these things they were happy and they
died satisfied.  What more than this can that which the white man offers us give?       

Taku Shanskan is familiar with my spirit and when I die I will go
with him.  Then I will be with my forefathers.  If this is not in the heaven
of the white man I shall be satisfied.  Wi is my father.  The Wakan Tanka of
the white man has overcome him.  But I shall remain true to him.       

Shadows are long and dark before meI shall soon lie down to rise
no more.  While my spirit is with my body the smoke of my breath shall be
towards the Sun for he knows all things and knows that I am still true to him."

Taku Wakan Wakan Tanka

 

 

BURY MY HEART AT WOUNDED KNEE.

An Indian History of the American West.

Dee Brown.

First Published in Vintage 1991.

 

"I did not know then how much was ended. When I look back now from the high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the blood and mud, and was buried in the blizzard. A peoples dream died there. It was a beautiful dream…the nations hoop is broken and scattered. There is no centre any longer, and the sacred tree is dead."

Black Elk

 

When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked ... www.uneco.org/Bury_My_Heart.html

 

Black Elk

"I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard.

A people's dream died there. It was a beautiful dream ... the nation's hoop is broken and scattered. There is no center any longer, and the sacred tree is dead." Black Elk

* * *

 Wakan Tanka (Great Mystery)

Have mercy on us

That our people may live!

They say a herd of buffalo is coming;

It is here now!

Their blessings will come to us.

It is with us now!

A prayer chant of the Oglala Sioux

* * *

 

 

THE SETTLERS MADE US MANY PROMISES BUT KEPT ONLY ONE

THEY PROMISED TO TAKE OUR LAND AND THEY TOOK IT

 

 

TIMELESS EARTH

Peter Kolosimo

Chapter

Ninteen

Page 192

"The Indians say that thousands of years ago their ancestors travelled on great golden discs which were kept airborne by means of sound vibrations at a certain pitch, produced by continual hammer-blows. This is not so absurd as it may seem. Vibrations of a set frequency may have had the effect of increasing the atomic energy of gold, thus re-ducing the weight of the disc and enabling it to overcome gravity.'
'… To quote Pauwels and Bergier (op. Cit.,p. 197: ' The U.S. archaeologist Hyatt Verrill spent thirty years investigating the lost civilizations of Central and South America. . . In his fine novel, The Bridge of Light, he described a pre-Incaic city protected by a rocky defile which could only be crossed by a bridge constructed of ionized matter which could be made to appear and diappear at will. Verrill,who died at the age of eighty, insisted to the last that this was much more than a legend, and his wife who survives him, is of the same opinion."

 

 

I DELIGHT IN LIGHT IN LIGHT I DELIGHT

 

 

In Te Speravi Domine (In You Have I Hoped O Lord) - In Te Speravi, Domine opens with a gentle melodic line accompanied by an undulating organ part. www.paracletepress.com/in-te-speravi-domine-in-you-have-i-hoped-o-lord.

 

IN TE SPERAVI DOMINE

 

 

We'll meet again, don't know where, don't know when...C'mon...

13 Oct 2006 ... It being Friday the 13th and all, seems fitting to take a little haunted hay ride away from our typically eco-optimistic, solution-oriented ... www.treehugger.com/files/2006/10/doomsday_timeline.

 

 

We'll meet again, don't know where, don't know when, But I know we'll meet again, some sunny day. Keep smiling through, just like you always do, ... ingeb.org/songs/wellmeet.html

Melody and text Ross Parker, Hughie Charles

 

WE'LL MEET AGAIN DONT KNOW WHERE DONT KNOW WHEN

Let's say goodbye with a smile, dear,
Just for a while, dear, we must part.
Don't let the parting upset you,
I'll not forget you, sweetheart.

We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.
Keep smiling through, just like you always do,
'Til the blue skies drive the dark clouds far away.

So will you please say hello to the folks that I know,
Tell them I won't be long.
They'll be happy to know that as you saw me go,
I was singing this song.

After the rain comes the rainbow,
You'll see the rain go, never fear,
We two can wait for tomorrow,
Goodbye to sorrow, my dear.

Let's say goodbye with a smile, dear,
Just for a while, dear, we must part.
Don't let the parting upset you,
I'll not forget you, sweetheart.

 

 

WE'LL MEET AGAIN DONT KNOW WHERE DONT KNOW WHEN

We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.
Keep smiling through, just like you always do,
'Til the blue skies drive the dark clouds far away.

So will you please say hello to the folks that I know,
Tell them I won't be long.
They'll be happy to know that as you saw me go,
I was singing this song.

We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.

We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.

Keep smiling through, just like you always do,
'Til the blue skies drive the dark clouds far away.

So will you please say hello to the folks that I know,
Tell them I won't be long.
They'll be happy to know that as you saw me go,
I was singing this song.

We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.

 

 

"Any Old Iron" is old English Music Hall song written by Charles Collins, Fred Terry and E.A. Sheppard. The song was made famous by Harry Champion who sang ... en.wikipedia.org/wiki/Any_Old_Iron_(song)

"Any Old Iron" is old English Music Hall song written by Charles Collins, Fred Terry and E.A. Sheppard.

The song was made famous by Harry Champion who sang it as part of his act and recorded it.


[edit] Lyrics

Just a week or two ago my poor old Uncle Bill,

Went and kicked the bucket and he left me in his will.

The other day I popped around to see poor Auntie Jane,

She said "Your Uncle Bill has left to you a watch and chain."

I put it on right across my vest,

Thought I looked a dandy as it dangled on my chest.

Just to flash it off I started walking 'round about,

A lot of nippers followed me and all began to shout:

CHORUS

Any old iron, any old iron, any, any, any, old iron?

You look neat - talk about a treat,

You look dapper from your napper to your feet.

Dressed in style, brand new tile,

And your father's old green tie on,

But I wouldn't give you tuppence for your old watch chain,

Old iron, old iron?

I went to the City once and thought I'd have a spree.

The Mayori of London, he was there, that's who Iwent to see.

He dashed up in a canter with a carriage and a pair,

I shouted "Holler boys" and threw my hat up in the air.

Just then the Mayori he began to smile,

Saw my face and then he shouted "Lumme what a dial!"

Started a-Lord Mayoring and I thought that I should die

When pointing to my watch and chain he hollered to me "Hi!"

CHORUS

Any old iron, any old iron, any, any, any, old iron?

You look neat - talk about a treat,

You look dapper from your napper to your feet.

Dressed in style, brand new tile,

And your father's old green tie on,

But I wouldn't give you tuppence for your old watch chain,

Old iron, old iron?

Just to have a little bit of fun the other day,

Made up in my watch and chain I went and drew my pay.

Then got out with a lot of other Colonels on the loose,

I got full right up to here in fourp'ny stagger juice.

One of them said "We want a pot of ale

Run him to the rag shop and bung him on the scale."

I heard the fellow say "What's in this bundle that you've got"

Then whisper to me kindly "Do you want to lose your lot?"

CHORUS

Any old iron, any old iron, any, any, any, old iron?

You look neat - talk about a treat,

You look dapper from your napper to your feet.

Dressed in style, brand new tile,

And your father's old green tie on,

But I wouldn't give you tuppence for your old watch chain,

Old iron, old iron?

Shan't forget when I got married to Selina Brown.

The way the people laughed at me, it made me feel a clown.

I began to wonder, when their dials began to crack,

If by mistake I'd got my Sunday trousers front to back.

I wore my chain on my darby kell,

The sun was shining on it and it made me look a swell.

The organ started playing and the bells began to ring,

My chain began to rattle so the choir began to sing.

CHORUS

Any old iron, any old iron, any, any, any, old iron?

You look neat - talk about a treat,

You look dapper from your napper to your feet.

Dressed in style, brand new tile,

And your father's old green tie on,

But I wouldn't give you tuppence for your old watch chain,

Old iron, old iron?

 

ORION ORIONS ORIONIS ORIONS ORION

 

O

I SAY OLIVE OIL OLIVER OIL OLIVE SAY I

I SAY OL SAY I

I SAY I SAY I

I SAY VE SAY I

I SAY R SAY I

I SAY OLIVE OIL OLIVER OIL OLIVE SAY I

I SAY 9 SAY I

I SAY 9 SAY I

I SAY 9 SAY I

I SAY 9SAY I

I SAY OLIVE OIL OLIVER OIL OLIVE SAY I

 

 

POURING OIL ON TROUBLED WATERS

 

 

"His watchmen are all blind: they are ignorant…" (v 10). This verse begins a new section of five verses continuing until chapter 57 v 2 (notwithstanding the ... www.azamra.org/Bible/Isaiah

Avraham Ben Yaakov

 

ISAIAH CHAPTER 55

"Ho all who are thirsty, come to water…" (v 1). "After the war of Gog and Magog the nations will recognize that God rules over all and that there is none beside Him, and then they will come to Jerusalem to learn God's laws and teachings… Water is a metaphor for Torah and wisdom – for just as the world cannot survive without water, so the world cannot survive without wisdom, and just as a thirsty person craves for water, so the wise soul craves for Torah and wisdom… The Torah is also compared to wine and milk. Just as wine makes the heart rejoice, so do words of Torah. And just as milk keeps a baby alive and makes it grow, so words of Torah keep the soul alive and make it grow" (RaDaK ad loc.).

"Why do you spend money for that which is not bread?" (v 2) – "Why should you pay your enemies money without receiving bread?" (Rashi ad loc.) "Why do you pay a high price to study alien systems of wisdom and philosophy that have no benefit?" (Metzudas David ad loc.)

"Hear and your soul shall live" (v 3) – "Listen to Me and you will merit to stand in the resurrection in the days of Mashiach" (Metzudas David ad loc.). "And I will make an everlasting covenant with you, even the sure loving promises of David" (v 3) – "This is Mashiach, for he will be called by the name of David… He will be the teacher of the nations 'and he will judge between the nations and rebuke many peoples' (Is. 2:4)" (RaDaK ad loc.).

"Seek HaShem while He may be found…" (v 6). Isaiah now addresses the people in exile, calling on them to repent. They should seek God "while He may be found" – i.e. "BEFORE the decree is finalized, while He is still telling you to seek Him out" (Rashi). "…while He is NEAR" – "seek Him in such a way that He will be near, i.e. when you seek Him WITH ALL YOUR HEART" (RaDaK). "Seek out the fear of HaShem while you are still alive" (Targum).

"For My thoughts are not as Your thoughts…" (v 8) "My laws are not like the laws of flesh and blood. In your world, if a man admits to a crime he is judged guilty, but by My law, 'Whoever confesses and forsakes [his sins] shall be shown mercy' (Proverbs 28:13)" (Rashi on v 8). "If a man commits an offense against his fellow, he takes vengeance on him and will not forgive him, and even if he forgives him on the surface he nurses a grudge in his heart… But I am full of forgiveness. And when I forgive, I do so in truth, and no trace of the sin remains" (RaDaK on v 8).

"For as the rain comes down… and does not return there but waters the earth…" (v 9) – "The rain and the snow do not return to the skies through evaporation without first watering the earth… Sometimes a person sends someone to do something but the agent comes back without accomplishing his mission. But 'My word… shall not return to Me empty'" (Metzudas David ad loc.).

"For you shall go out with joy…" (v 12). The redemption will bring great joy. Moreover, joy – SIMCHAH – itself is the avenue that leads to redemption. "It is a great mitzvah to be joyful always" (Rabbi Nachman of Breslov).

"Instead of the thorn, the cypress shall arise…" (v 13) – "In place of the wicked, the righteous will rise up" (Rashi ad loc.). The "thorn" and the "nettle" refer to Haman and Vashti, while the "cypress" and the "myrtle refer to Mordechai and Esther (Megillah 10b).

CHAPTER 56

"Guard justice and practice charity, for My salvation is near to come…" (v 1). "Great is charity for it brings the redemption closer" (Bava Kama 10a). "Great is Teshuvah for it brings the redemption closer. Great is charity for it brings salvation closer" (Yoma 87a).

"Happy is the man that does this… that keeps the Sabbath…" (v 2). "The Sabbath is mentioned specifically at this juncture because the prophet is addressing the people in exile, urging them to improve their ways in order to leave their exile, and the best of all pathways is the observance of the Sabbath, while the exile from the land came about because of the transgression of the Sabbath" (RaDaK on v 2). "Whoever observes the Sabbath according to its laws, even if he worshiped idols as in the days of Enosh, he will be forgiven… If Israel kept two Sabbaths according to the law, they would be redeemed immediately" (Shabbos 118b).

"Let not the son of the stranger who has joined himself to HaShem say, HaShem will surely separate me from His people, nor let the eunuch say, Behold I am a dry tree" (v 3). The "son of the stranger" is a convert who does not have children after his conversion; he is similar to a "eunuch" who has no children… Such a convert may think that he will not be considered a member of HaShem's people either in this world or in the world to come, and likewise the childless may think that if he leaves no son after him it is as if he never came into the world and God takes no favor in him, since God created the world for the sake of procreation…" (RaDaK on v 3).

But quite the contrary, God promises that those childless "that will observe My Sabbaths" (=the weekly Sabbaths and the Sabbatical years, RaDaK) will receive "in My House and within My walls (=the Temple in Jerusalem ) a place and a name (YAD VASHEM) better than sons and daughters" (v 5). [The name YAD VASHEM has been given to Israel 's Holocaust Museum in Jerusalem .] Likewise God promises the "children of the stranger" that "I shall bring them to My holy mountain and make them joyful in My House of Prayer…" (v 7). "Just as a person brings a guest into his home and receives him gladly, so God says, I shall command the priests to accept them gladly when they come to convert, and they will rejoice when they see themselves in the Temple courtyard year by year with the people of Israel" (RaDaK).

"For My house shall be called the House of Prayer for all the nations (v 7) – "Not only for Israel alone but also for those of the nations who convert" (see Rashi and Metzudas David ad loc.).

"HaShem God who gathers the outcasts of Israel says, Yet will I gather others to him, besides those of him that are already gathered" (v 8): "I shall gather in more converts to be added to all the ingathered people of Israel " (Metzudas David).

"All you beasts of the field: come into the forest to devour all the beasts thereof" (v 9). "The beasts of the field do not have as much strength as the beasts of the forest. The 'beasts of the field' refers to the gentiles who will not harden their hearts but will convert. They shall 'devour' (win over?) those who harden their hearts and continue their rebellion" (Metzudas David ad loc.).

"His watchmen are all blind: they are ignorant…" (v 10). This verse begins a new section of five verses continuing until chapter 57 v 2 (notwithstanding the conventional chapter break in printed Bibles, which violates the continuity of the Hebrew text).

"After completing the previous prophecy of consolation, the prophet returns to rebuking the wicked people of his generation" (RaDaK on v 10).

"The prophet began by saying, 'Seek out HaShem' (Is. 55:6) but the people do not listen. He therefore now says: See how the prophets are crying to them to repent for their own wellbeing, but their leaders are all like blind men who do not see what is developing. They are like a watcher appointed to see if the sword is approaching in order to warn the people, but he is blind and fails to see the sword coming, dumb and unable to warn the people – like a dog appointed to guard the house but he is dumb and does not bark. Likewise the leaders of Israel fail to warn the people to repent… Just as dogs never know satisfaction, these 'shepherds' do not know or understand what will happen at the end of days… 'Every one is out for his own gain': They rob the rest of the people over whom they are appointed" (Rashi on vv 10-11).

Let us be the ones who hear the call of HaShem in order that our souls shall live!

'Seek out HaShem'

 

 

"HASHEM"

 

 

"HA SH EM"

"81 18 54"

"HA SH EM"

 

 

"H+A S+H E+M"

"8+1 1+8 5+4"

"H+A S+H E+M"

 

 

"HA SH EM"

9+9+9

"HA SH EM"

 

 

CITY OF REVELATION

John Michell

1972

Page 7

"There were formerly two other letters, representing numbers 90 and 900, but they became obsolete in literature, retained only as numerical symbols."

NINE NINETY NINE 999 NINE NINETY NINE

REVELATION REVEAL REVEAL REVELATION

NINETYSIX SIXTYNINE NINESIXTY SIXNINETY

 

 

FINGERPRINTS OF THE GODS

Graham Hancock

1995

Page 258

"Likewise when one finds numbers like 108, or 9 x 13 reappearing under several multiples in the Vedas, in the temples of Angkor, in Babylon, in Heraclitus' dark utterances, and also in the Norse Valhalla, it is not accident . . ."

Page 490

Library angels

The missing piece of the puzzle

"The novelist Arthur Koestler, who had a great interest in synchronicity, coined the term 'library angel' to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead / Page 491/ to exactly the right information being placed in their hands at exactly the right moment"

 

 

Daily Mail

Thursday, June 11 2009

Page 37

Web 2.0 - the one millionth English word

ALMOST 1,500 years after it was first recorded, the English language has its one millionth word.

At 10.22am yesterday Web 2.0 - describing the next generation of internet services entered the dictionary.

To be accepted a word must be used at least 25,000 times across national boundaries and outside specialisms.

U.S-based Global Language Monitor surveys print publications, online news sites, blogs and social media for useage.

Jai Ho!, a Hindi phrase signifying the joy of victory became the 999,999th word thanks to the Oscar-Winning film Slumdog millionaire.

At 1,000,001 is Financial Tsunami - a sudden financial restructuring.

 

 

"JAI HO! A HINDI PHRASE SIGNIFYING THE JOY OF VICTORY BECAME THE 999,999TH WORD..."

 

 

I

ME

I SAY ISIS SAY I

I SAY OSIRIS SAY I

I SAY CHRIST SAY I

I SAY KRISHNA SAY I

I SAY RISHI ISHI ISHI RISHI SAY I

I SAY VISHNU SHIVA SHIVA VISHNU SAY I

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

 

THAT SUN IS RISING RISING IS THAT SON

THAT SON IN WHOM I AM WELL PLEASED

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

 

THAT SUN IS RISING IS RISING IS THAT SUN

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

 

 

THAT SON THAT SET THAT SET THAT SON

THAT SON IS RISING IS RISING IS THAT SON

SO OSIRIS RISES SO RISES OSIRIS

SO IR IS IS IR SO

HOURS OF HORUS HORUS OF HOURS

 

 

TWO IN LIGHT GODS LIGHT IN TWO

TWILIGHT TWIN LIGHT TWIN LIGHT TWILIGHT

THAT

TWO IN TWO

TWIN DOTH MEET IN ALL IN ALL DOTH THAT TWIN MEET

THAT

BORE A BIRTH AND DIED A DEATH

LIFE AND DEATH THE IN BETWEEN IN BETWEEN THE DEATH AND LIFE

WITHIN ALL DOTH THAT TWIN MEET WITHIN

THE TREAD OF THE RED THREAD UNBROKEN SPIRIT UNBROKEN THE RED TREAD OF THE THREAD

WITHIN AND WITHOUT THAT WITHOUT AND WITHIN

O O O

THAT THAT THAT

DIVINE THOUGHT THAT ISISISIS THAT THOUGHT DIVINE

O O O

THAT I THAT

THAT THAT THAT THAT

O O O

THAT CREATORS WOMB OF WOMB CREATORS THAT

THAT ISISIS ISISIS THAT THAT THAT HOLY ISISISISISIS HOLY THAT THAT THAT ISISIS ISISIS THAT

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

 

Golden Ratio Pre History

... on the Periphery of the Temple of Osiris at Abydos”, KMT Winter 1997/8, .... The five-pointed star hieroglyph. This identification of the pentagram ... In their system, a star with five rays was the hieroglyphic sign for "seba" or “star”. ... The five- pointed star in its circum-circle could therefore also ... www.recoveredscience.com/const305goldenprehistory.htm

 

Numerals and constants

Numerals A brief prehistory of the golden ratio  

Pentagrams before Pythagoras

The oldest surviving written evidence for our species' knowledge of the unique "golden" section dates back to Byzantine times, about 888 CE or slightly later1, when the earliest extant copy of the mathematical textbook "The Elements" was written.  The contents of this book, in turn, was attributed to the classical Greek mathematician Euclid who wrote around 300 BCE.  He discussed this proportion as the "division in extreme and mean ratio". 

Before Euclid, the Athenian sculptor and architect Phidias (490 to 432 BCE) gets generally credited with having pioneered the use of this ratio in his design of the Parthenon temple for Athena, the Greek goddess of Wisdom, science, and art.  Some scholars deny the presence of this ratio in that temple or any other building of its time, but it is to honor Phidias for its use that modern mathematicians often designate this ratio with the Greek letter f = phi.

Phidias’ knowledge of this proportion, as well as the relevant chapters by Euclid, are said to be based on information from the Greek mathematician Pythagoras (about 580 to about 500 BCE)2.  Some disciples of this semi-legendary philosopher and founder of a number-mystic sect reputedly used a pentagram as one of the symbols for his mathematical doctrine, and one of them is said to have displayed this phi-based geometrical figure on his door post as a secret sign of mutual recognition3.  The sign and its meaning could remain secret despite that public display because only those initiated into the mysteries of Pythagoras' geometry were able to draw it correctly and to appreciate its deep significance as a symbol for and gateway to those mysteries.

This is where the documented or reported trail of phi and the pentagram stops, at least in the current mainstream histories of science.

Geometrically, the pentagram is an extension of the pentagon which is the same design without the star-arms.  Both include in their proportions many instances of the golden ratio, and to draw either figure properly one must first construct that ratio, as illustrated on the "Golden Drawings" page, and as explained below.  This construction requires analytical thinking.

For instance, Sir Thomas Heath, the eminent translator of many Greek mathematical and astronomical texts, says about the pentagon in his "Summary of the Pythagorean Mathematical Discoveries":

"... as [the construction of a regular pentagon] depends upon the construction of an isosceles triangle in which each of the base angles is the double of the vertical angle, and this again on the cutting of a line in extreme and mean ratio, we may fairly assume that this was the way in which the construction of the regular pentagon was actually evolved.

It would follow that the solution of problems by analysis was already practiced by the Pythagoreans, notwithstanding that the discovery of the analytical method is attributed by Proclus to Plato. As the particular construction is practically given in Euclid IV:10,11, we may assume that the content of Euclid IV was also partly Pythagorean."4

The mathematical historian Roger Herz- Fischler concurs in his book “A Mathematical History of the Golden Number”:

“To determine when the pentagon was first inscribed in a circle or, if my conclusion is correct about when the concept of [division in extreme and mean ratio] first appeared, we must look for a period when mathematics was at the level of rigor where mathematicians would consider working within a ‘program’: for this is how the construction of the pentagon appears to me, as part of a program to inscribe the regular polygons in a circle.  While the other polygons only required making older intuitive proofs more rigorous, the pentagon required new techniques, new insights, and new lemmas.”

Herz- Fischle says this postulated program of inscribing polygons into a circle was conceived in Greece.  However, the Egyptians had long been scribing polygons around circles, and this requires the same mathematical approach and skills.  

Pharaonic stone masons made round columns by starting with polygon facets around the desired circle; then only did they cut away the excess material.  According to Dieter Arnold, an Egyptologist who studied the ancient construction methods, this approach can be observed in the unfinished corner torus of Pylon IV at Karnak.  This torus

“... is not yet completely round but polygonal, thus preserving an intermediate step between the rectangular boss and the rounded torus”.  

Other columns were intentionally left polygonal, for instance, the two sixteen- sided limestone columns at the entrance of the small temple which Thutmose III built in Abydos. The same geometrical skills would also have been required for the half- and three- quarter- round engaged columns in king Djoser’s Saqqara buildings.  Those columns are, moreover, both fluted and tapered, requiring precise guidelines in progressively adjusted sizes.

Whatever method of analytical geometry the Egyptian columncutters may have used for drawing those many regular polygons, it seems that the pentagram expressed the essence of this science not only for the Pythagoreans but also for the temple designers of the Ramesside era, some 750 years before Pythagoras was born.

Geometry was the special turf of Seshat, the divine mistress of temple plans.  She  presided over the so-called "House of Books", later also called the "House of Life", where the priests and sages maintained and transmitted traditions in all areas of knowledge, from medicine to magic and dream books, and above all the correct performance of rituals which included the design of all temples[8]

These proto- Universities or library archives appear in the titles of dignitaries from the Fourth Dynasty on.  For instance, one of king Khufu’s sons was "Priest of Seshat presiding over the House of Books"[9].  

Seshat’s most prominent task was the laying out of sacred buildings, together with the king.  Her foundation ritual of "stretching the cord" is sculpted on many temple walls, and it was essential for assuring that the geometry of the building would correctly reflect the structure of heaven and earth which the temple was built to reproduce.

As described in the chapter "Maat soulmate Seshat convicted for possessing pot and undeclared math", a beautiful and well preserved portrait of Seshat among the reliefs in the Luxor temple from around 1250 BCEshows a pentagram at the center of the hemp leaf in her emblem[10].  That pentagram is perched on its stem above her head as if this geometrical figure was already then a symbol for geometry, used there as an extra determinative for the most characteristic art taught by that goddess of geometry, writing, and general learning.  

The five-pointed star hieroglyph

This identification of the pentagram with geometry may even go back much farther, all the way to the hieroglyph designer(s) of early Egypt.  In their system, a star with five rays was the hieroglyphic sign for "seba" or “star”.   Many carefully sculpted examples show these rays evenly spaced like those of a skinny pentagram although stars with six or eight rays would have been much easier to draw.  

The ancient Egyptians attached great importance to similarities in sound or spelling of otherwise unrelated words.  They believed such resemblances were a sign of deep connections between  the objects or ideas such words  represented, and this ancient principle gives us a glimpse at the associations they seem to have made with this penta- star.

This same star, with a papyrus roll as determinative for abstract ideas, appeared also in the word "seba-eet" for “written teaching, instruction”, whereas the verb "seba" =  "to teach, to learn" combined that star with a weapon- wielding arm.  (This threatening arm referred presumably to the school master's rod since the word "seba-oo" for "education", based on the same root and with the same determinative, could also mean "punishment".)  

Whatever associations this punishing arm may have evoked in the pupils of the scribal schools, the teachings symbolized by the five- pointed star were also associated with doorways because the same "seba" signs as in the "teaching, learning" verb meant "gate" when their "armed- arm" determinative was replaced with that of a houseplan.  

The gates this pun on "learning" represented to the learners may have admitted these to the lucrative careers to which their learning opened the way, or to the wisdom which opened their minds.  However, although such modern thoughts may also have played a role back then, the star in the word may have alluded above all to other gates which were even more important.  

Stars were thought to be the gates of heaven.  Another word for them, "ankh-oo", included the "ankh" sign of life and a star plus the plural sign, and it had the same consonants as "ankh-oo" which was also a plural and meant "the living".  Consistent with the ancient Egyptian habit of denying death, "the living" was an euphemism for the dead since the eternal afterlife of these was considered more real and more important than its brief prelude here while the future deceased still walked on earth.

Dead pharaos became stars and circled the celestial north pole together with the other "Immortals", that is, the circumpolar stars which never disappear below the horizon.  This may initially have been an exclusive privilege for  royals, but as commoners gained access to the afterlife, stars came to represent also the souls of the dead in general.  

This connection between the star sign and the dead is expressed again unmistakably in the hieroglyph for the "duat" or "afterworld" which was the same five- pointed star but with a circle around it - pi surrounding phi.  

As we saw earlier, a circle was the symbol of the sun and of its divine eternity.  The "duat"- sign and its meaning implied therefore that geometry came from and belonged to that parallel but timeless and invisible realm where the gods dwelled, and the "justified" dead who went to join them.  That netherworld realm was thus apparently also the world of the numbers and of the geometry from which it took its symbol.

This connection between numbers and stars and gods and the dead who became gods and/or stars makes sense in magical analog thinking because numbers and geometric objects are as timeless and as intangible as those spiritual beings, and as charged with mysterious powers.  The Egyptians’ use of numbers in religious and magical contexts suggests that they perceived gods and numbers as related, just as the Mesopotamians did.

Another habit of magical thinking is that a part can stand for or replace the whole.  An important part of the ancient Egyptian afterworld were the gates to and within it through which the sun and the newly deceased had to pass on the way to their resurrection.  Such gates appear already in the Pyramid Texts and in the Book of the Dead, and twelve serpent- guarded gates, one after each hour of this night voyage, became later such a defining feature for the netherworld that one of the popular guidebooks to it, first attested among the wall paintings in the tomb of king Horemheb (1319 to 1307 BCE), is now called "The Book of Gates" [12].

The five- pointed star in its circum- circle could therefore also designate the gates to that afterworld, matching the above presence of the star sign in the word for "gate".  This usage of the symbol as an opening to the world beyond survived into Medieval and even Renaissance times when magicians typically drew a pentagram on the floor to summon spirits from that world and enclosed it in a circle to protect themselves and their audience from the dangers inherent in such contacts. 

Pythagoras as plagiarist

These uses of the symbol for geometry indicate that the science it represented meant far more to its practitioners than a way to measure fields.  They anticipate by more than two millennia the Pythagorean connection between this sign and that science, and they suggest therefore that Seshat, or her priests, had much earlier claims on the analytical method than any Greek.  The prior art in the hieroglyph signs and on Narmer’s mace makes Pythagoras move over and abandon his bragging rights as that method’s alleged inventor.

Indeed, many ancient authors tell us that Pythagoras picked up much of his knowledge from others.  This purported discoverer of the golden ratio and of its pentagram symbol for the analytical method is notorious for having claimed as his own many discoveries that he had learned abroad.  His almost contemporary, the four decades younger Greek philosopher Heraclitus who lived from about 540 to about 480 BCE and probably had access to some of the same sources as Pythagoras, accused him of systematic intellectual theft:

"Pythagoras, son of Mnesarchos, has done more researching than all other people, and by reading together all these writings he pretended with punditry and artful lies that they were his own wisdom. (...) Pythagoras is the leader of the swindlers."[13]

Similarly, though without the offensive terms or intent, all of Pythagoras’ ancient biographers stated that this reputed founder of Western science [14] owed much of his learning to the traditions of the Near East.

For instance, the Neo- Platonic (and thus also Neo- Pythagorean) philosopher Iamblichus (about 250 to 325 CE) wrote relatively late but is said to have used early sources.  According to his account, Pythagoras began his studies with the philosopher and mathematician Thales of Miletus (about 625 to 550 BCE) on the Aegean coast of Asia Minor and then continued them in the Levant :

"... he sailed to Sidon, both because it was his native country, and because it was on his way to Egypt. In Phoenicia he conversed with the prophets who were the descendants of Moschus the physiologist (that is, Moses), and with many others, as well as with the local hierophants [priests who interpret religious rites and mysteries]. He was also initiated into all the mysteries of Byblos and Tyre, and in the sacred function performed in many parts of Syria. (...)

After gaining all he could from the Phoenician mysteries, he found that they had originated from the sacred rites of Egypt, forming as it were an Egyptian colony. (...)

Here in Egypt he frequented all the temples with the greatest diligence and most studious research, (...) acquiring all the wisdom each possessed.  He thus passed twenty- two years in the sanctuaries of temples, studying astronomy and geometry, and being initiated in no casual or superficial manner in all the mysteries of the gods.

At length, however, he was taken captive by the soldiers of Cambyses and carried off to Babylon. Here he was overjoyed to be associated with the Magi who instructed him in their venerable knowledge, and in the most perfect worship of the gods. Through their assistance, likewise, he studied and completed arithmetic, music, and all the other sciences. After twelve years, about the fifty- sixth year of his age, he returned to Samos." [15]

Of course, Iamblichus may have embellished some of the details in his hagiography, such as the readiness of the local priests to initiate this stranger into all their secret teachings.

We must also keep in mind that we have very little or no first- hand information about Pythagoras, and that his very existence can be questioned.  He was a legend- encrusted figure, a miracle worker with a golden thigh who could be in two places at the same time.  He was also a son of the god Apollo, and so exalted that a river once greeted him by name when he crossed it.

Still, even if this fairy- tale Pythagoras may have never lived, the traditions from antiquity about his teachings are real, and it matters little if some other fellow (whom later writers only happened to call Pythagoras) may have spread the doctrine said to be his.

The solid core of these traditions reflects that the greater part of the mathematical knowledge and discoveries known to the early Classical Greeks, and claimed by or ascribed to Pythagoras, actually came from the cradles of civilization in the Levant, the long- established trading partners and teachers of the then culturally just emerging Greeks.

Pentagons in Solomon's Temple

One of the groups most active in this transmission of ideas were the Phoenicians, acknowledged as such in several Greek myths like that of Cadmus bringing the alphabet to Thebes.  In Iamblichus’ account, Pythagoras himself was of Phoenician descent and started his quest by traveling to that homeland of his.

Several centuries before Pythagoras, at a time when Greek mathematics was barely at the stage of counting all the legs on a tripod, the Hebrew king Solomon hired Phoenician specialists to build his Temple, and he maintained close contacts with these gifted traders and craftsmen.   The designer of his famous Temple in Jerusalem incorporated into that building many examples of the golden ratio, including the same phi- based construction from which the Pythagoreans would later derive their above recognition sign, and he used it in the same location as they would.

The New English Bible translates in 1 Kings 6:21 that at the entrance to the Holy of Holies 

"the door posts and the pilasters were pentagonal"

If this translation is correct, then it implies that Solomon’s builders were also aware  of this analysis- requiring construction, just like their Egyptian neighbors.  Moreover, their use of of the pentagon for the cross- section of these door posts matches the way the above Pythagoreans would later affix the pentagram to the door posts to identify their dwellings to other members of their group.  The only difference is that in the Temple, the pentagon was not oriented horizontally towards people but turned upwards to heaven since the door it marked was intended for God.

The use of this recognition symbol in the door posts also matches how Jews from at least the Second Temple period on marked their door posts with mezuzahs to identify themselves to God for his protection[16], and it echoes how their ancestors in Egypt had smeared lamb’s blood on their door posts and lintels (Exodus 12:7) to identify themselves to God when he slew the Egyptians’ firstborn.

All this evidence for pre-Greek knowledge of the golden ratio may be circumstantial, but it is cumulative and makes it appear much more likely than not that Pythagoras picked up the doctrine of the pentagram in Phoenicia or Egypt.

Star. (seba). Appearance: The Egyptians had extended knowledge of the ... The stars were called the "Followers of Osiris and represented the souls in the underworld. The five-pointed star within a circle was the Egyptian symbol of the ...
www.egyptianmyths.net/star.htm

Star(seba)

Appearance: The Egyptians had extended knowledge of the night sky and the stars above. The circumpolar stars (the set of stars that seemed to "orbit" the North Star through the course of the night and thus never dipped below the horizon) were called the "Imperishable Ones". Most of the brighter stars were named by the Egyptians and they named thirty-eight constellations. These constellations were used to divide the night sky into "decans" (from the Greek word for "Ten"). The decans were called "the thirty-six gods of heaven and each ruled for ten-days each year.

The Egyptian symbol for the stars was a symbol five-pointed line drawing, resembling the sea stars (aka "starfish") that inhabited the Red Sea. In older examples, the drawing has rounder ends and the center is marked by two concentric rings. Egyptian star charts and decan tables often used dots or circles, as well as the hieroglyph.

Meaning: The infinite and unchanging nature of the stars overhead influenced the development of the Egyptian calendar and their beliefs regarding the life after death. Every Egyptian temple was a complex model of the cosmos and thus many images of the stars, constellations and stellar deities grace temple ceilings. In instances where the night sky was charted on the ceiling, brighter stars were sometimes designated by circles - like the sun disks. In decorative uses, sky hieroglyph and the body of the sky-goddess Nut was decorated with five-pointed stars.

It was believed that the stars did not just inhabit this world, but in the Duat (land of the afterlife) as well. The Egyptians believed that the ba might ascend to the sky to live as a star in heaven. Many tombs also featured deep blue ceilings dotted with bright yellow stars in the exact image of the hieroglyph in hopes to make the ba feel at home in its new dwelling place. The stars were called the "Followers of Osiris and represented the souls in the underworld. The five-pointed star within a circle was the Egyptian symbol of the Duat.

 

 

SEBA 1+ 5 +2 +1 = 9 9 -1+2+5+1 SEBA

BASE = 9 9 = BASE

SEBA 1+ 5 +2 +1 = 9 9 -1+2+5+1 SEBA

 

 

A pentagram (sometimes known as a pentalpha or pentangle or, more formally, as a star pentagon) is the shape of a five-pointed star drawn with five straight ... en.wikipedia.org/wiki/Pentagram
 
 
 
Pentagram From Wikipedia, the free encyclopedia
 
For other uses, see Pentagram (disambiguation).
 
A pentagram (sometimes known as a pentalpha or pentangle or, more formally, as a star pentagon) is the shape of a five-pointed star drawn with five straight strokes. The word pentagram comes from the Greek word πεντάγραμμον (pentagrammon), a noun form of πεντάγραμμος (pentagrammos) or πεντέγραμμος (pentegrammos), a word meaning roughly "five-lined" or "five lines".
 
Pentagrams were used symbolically in ancient Greece and Babylonia, and are used today as a symbol of faith by many Wiccans, akin to the use of the cross by Christians and the Star of David by Jews. The pentagram has magical associations, and many people who practice Neopagan faiths wear jewelry incorporating the symbol. Christians once more commonly used the pentagram to represent the five wounds of Jesus,[1][2] and it also has associations within Freemasonry.[3]
 
The pentagram has long been associated with the planet Venus, and the worship of the goddess Venus, or her equivalent. It is also associated with the Roman word lucifer, which was a term used for Venus as the Morning Star, associated with the bringer of light and knowledge. It is most likely to have originated from the observations of prehistoric astronomers.[4] When viewed from Earth, successive inferior conjunctions of Venus plot a nearly perfect pentagram shape around the zodiac every eight years.[5]
 
The word "pentacle" is sometimes used synonymously with "pentagram", although their technical usages are different, and their etymologies may be unrelated.[6] Wiccans and Neo-pagans often refer to a pentagram enclosed in a circle as a 'pentacle'.[7]
 
[edit] Early history

[edit] Sumer The first known uses of the pentagram are found in Mesopotamian writings dating to about 3000 BC. The Sumerian pentagrams served as pictograms for the word "UB," meaning "corner, angle, nook; a small room, cavity, hole; pitfall," suggesting something very similar to the pentemychos (see below on the Pythagorean use for what pentemychos means). In René Labat's index system of Sumerian hieroglyphs/pictograms it is shown with two points up.[8] In the Babylonian context, the edges of the pentagram were probably orientations: forward, backward, left, right, and "above".[citation needed] These directions also had an astrological meaning, representing the five planets Jupiter, Mercury, Mars and Saturn, and Venus as the "Queen of Heaven" (Ishtar) above.[citation needed]

[edit] Pythagoreans The Pythagoreans called the pentagram ύγιεια Hygieia ("health"; also the Greek goddess of health, Hygieia), and saw in the pentagram a mathematical perfection (see Geometry section below).
 
The five vertices were also used by the medieval neo-pythagoreans (whom one could argue were not pythagoreans at all) to represent the five classical elements:
 
ὕδωρ, hydor, water
 
γαῖα, gaia earth
 
ἰδέα, idea or ἱερόν, Hieron "a divine thing"
 
εἱλή, heile, heat (fire)
 
ἀήρ, aer, air
 
The vertices were labeled in the letters of υ-γ-ι-ει-α. The ordering (clockwise or counter-clockwise) and starting vertex varied.
 
The ancient Pythagorean pentagram was drawn with two points up and represented the doctrine of Pentemychos. Pentemychos means "five recesses" or "five chambers", also known as the pentagonas — the five-angle, and was the title of a work written by Pythagoras's teacher and friend Pherecydes of Syros.[9] It was also the "place" where the first pre-cosmic offspring had to be put in order for the ordered cosmos to appear. The pentemychos is in Tartaros, also known as "The Gates of Hell".[citation needed]
 
In very early Greek thought, Tartaros (or Chaos, according to Hesiod) was the primordial Darkness from which the cosmos is born. While it was locked away after the emergence and ordering of the cosmos, it still continued to have an influence. In fact, it was known as "the subduer of both gods and men" (Homer), and it was from this that the world got its "psyche" (soul) and its "daimon". The Boundless Darkness held influence through Mychos or Krater. Apart from being the gateway from "there" to "here" it was also a way in the opposite direction, from "here" to "there", as is evident in the many tales about how Greek heroes, philosophers and mystics descended through Krater to Tartaros/Hades (the distinction between the two was very optional back then) in quest for Wisdom. The Underworld as the source of wisdom was the rule.
 
Tartaros was also later seen as the "chthonic realm" where all the enemies of the cosmic order were locked away, also called the "prison-house" of Zeus. It was said to lie outside of the aither over which Zeus had lordship; what we today would call space, back then called "Zeus' defense-wall," yet it was also beneath the earth. Plato (in Cratylus) said that the aither had a penetrating power that permeates the whole world, and he found it both inside and outside of our bodies. The pentemychos is outside, or in-side, of the aither.
 
In the play Medea by Euripides, the sorceress Medea calls upon Hecate with the words, "By that dread queen whom I revere before all others and have chosen to share my task, by Hecate who dwells within my inmost chamber, not one of them shall wound my heart and rue it not." Note that she speaks of the Heart. The inmost chamber is the Mychos. Normally, Hecate and Persephone are portrayed solely as the rulers of the Underworld. In Medea, however, Hecate is called the Lady of Tartaros, Phulada (Guardian), Propulaia (Before the Gates), Kleidophoros (Key-bearer) and Kleidoukhos (Key-holder, Priestess). This Underworld of the Greeks and Pythagoreans is also the "inmost chamber" and the Core of Inner Being.
 
[edit] European occultism Heinrich Cornelius Agrippa and others perpetuated the popularity of the pentagram as a magic symbol, keeping the Pythagorean attributions of elements to the five points. By the mid-19th century a further distinction had developed amongst occultists regarding the pentagram's orientation. With a single point upwards it depicted spirit presiding over the four elements of matter, and was essentially "good". However, the influential writer Eliphas Levi called it evil whenever the symbol appeared the other way up.
 
"A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates."[10]
 
"Let us keep the figure of the Five-pointed Star always upright, with the topmost triangle pointing to heaven, for it is the seat of wisdom, and if the figure is reversed, perversion and evil will be the result."[11]

 

 

 
 
YORKSHIRE EVENING POST
 
Monday 7th March 2005

Page 48

"IT'S KING DAVID"

 

 

Forum > Lyrics > Lord Of The Dance. > Lord Of The Dance. Sydney Carter. I danced in the morning when the world was young I danced in the moon and the stars ... celtic-lyrics.com/forum/index.

 

I danced in the morning when the world was young
I danced in the moon and the stars and the sun
I came down from heaven and I danced on the earth
At Bethlehem I had my birth

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced for the scribes and the Pharisees
They wouldn't dance, they wouldn't follow me
I danced for the fishermen James and John
They came with me so the dance went on

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced on the Sabbath and I cured the lame
The holy people said it was a shame
They ripped, they stripped, they hung me high
Left me there on the cross to die

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced on a Friday when the world turned black
It's hard to dance with the devil on your back
They buried my body, they thought I was gone
But I am the dance, and the dance goes on

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

They cut me down and I leapt up high
I am the life that will never, never die
I'll live in you if you'll live in me
I am the Lord of the dance, said he

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

 

 

I

AM THE DANCE AND THE DANCE GOES ON

ALWAYS

 

 

"A Hard Rain's a-Gonna Fall"

Bob Dylan1962

Oh, where have you been, my blue-eyed son?
Oh, where have you been, my darling young one?
I've stumbled on the side of twelve misty mountains,
I've walked and I've crawled on six crooked highways,
I've stepped in the middle of seven sad forests,
I've been out in front of a dozen dead oceans,
I've been ten thousand miles in the mouth of a graveyard,
And it's a hard, and it's a hard, it's a hard, and it's a hard,
And it's a hard rain's a-gonna fall.

Oh, what did you see, my blue-eyed son?
Oh, what did you see, my darling young one?
I saw a newborn baby with wild wolves all around it
I saw a highway of diamonds with nobody on it,
I saw a black branch with blood that kept drippin',
I saw a room full of men with their hammers a-bleedin',
I saw a white ladder all covered with water,
I saw ten thousand talkers whose tongues were all broken,
I saw guns and sharp swords in the hands of young children,
And it's a hard, and it's a hard, it's a hard, and it's a hard,
And it's a hard rain's a-gonna fall.

And what did you hear, my blue-eyed son?
And what did you hear, my darling young one?
I heard the sound of a thunder, it roared out a warnin',
Heard the roar of a wave that could drown the whole world,
Heard one hundred drummers whose hands were a-blazin',
Heard ten thousand whisperin' and nobody listenin',
Heard one person starve, I heard many people laughin',
Heard the song of a poet who died in the gutter,
Heard the sound of a clown who cried in the alley,
And it's a hard, and it's a hard, it's a hard, and it's a hard,
And it's a hard rain's a-gonna fall.

Oh, who did you meet, my blue-eyed son?
Who did you meet, my darling young one?
I met a young child beside a dead pony,
I met a white man who walked a black dog,
I meta young woman whose body was burning,
I met a young girl, she gave me a rainbow,
I met one man who was wounded in love,
I met another man who was wounded with hatred,
And it's a hard, and it's a hard, it's a hard, and it's a hard,
And it's a hard rain's a-gonna fall.

Oh, what'll you do now, my blue-eyed son?
Oh, what'll you do now, my darling young one?
I'm a-goin' back out 'fore the rain starts a-fallin',
I'll walk to the depths of the deepest black forest,
Where the people are many and their hands are all empty,
Where the pellets of poison are flooding their waters,
Where the home in the valley meets the damp dirty prison,
Where the executioner's face is always well hidden,
Where hunger is ugly, where souls are forgotten,
Where black is the color, where none is the number,
And I'll tell it and think it and speak it and breathe it,
And reflect it from the mountain so all souls can see it,
Then I'll stand on the ocean until I start sinkin',
But I'll know my song well before I start singin',
And it's a hard, and it's a hard, it's a hard, and it's a hard,
And it's a hard rain's a-gonna fall.

 

 

AUGERIES OF INNOCENCE

"Every Night and every Morn
Some to Misery are Born.
Every Morn and every Night
Some are Born to sweet Delight.
Some are Born to sweet Delight,
Some are born to Endless Night.
We are led to Believe a Lie
When we see not Thro' the Eye
Which was Born in a Night to Perish in a Night
When the Soul Slept in Beams of Light.
God Appears and God is Light
To those poor Souls who dwell in the Night,
But does a Human Form Display
To those who Dwell in Realms of day."

William Blake 1757 - 1827

 

 

Münchener Freiheit - Keeping the dream alive

Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

 

 

THE HOLY BIBLE

Scofield References

Isaiah Chapter 6

Page 718

3

"And one cried unto another, and said, Holy, holy, holy, is the LORD of hosts: the whole earth is full of his glory."

6

Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:

7

And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.

8

Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me.

 

 

THE VOYAGE OF THE DAWNTREADER

C. S. Lewis 1952

CHAPTER FOURTEEN

THE BEGINNING OF THE END OF THE WORLD

Page 155

Then something seemed to be flying at them out of the very centre of the rising sun: but of course one couldn't look steadily in that direction to make sure.But presently the air became full of voices - voices which took up the same song that the Lady and her Father were singing, but in far wilder tones and in a language which no one knew. And soon after that the owners of these voices could be seen. They were birds, large and white, and they came by hundreds and thousands and alighted on everything; on the grass, and the pavement, on the table, on your shoulders, your hands, and your head, till it looked as if heavy snow had fallen. For, like snow, they not only made / Page 157 / everything white but blurred and blunted all shapes. But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.

 

 

"Ring of Fire" is a country music song popularized by Johnny Cash and co-written by June Carter ... From the album Ring of Fire: The Best of Johnny Cash. ... en.wikipedia.org/wiki/Ring_of_Fire_(song)

"Ring of Fire" is a countryn music song popularized by Johnny Cash and co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The single appears on Cash's 1963 compilation album, Ring of Fire: The Best of Johnny Cash. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at number one on the charts for seven weeks

 

 

RING OF FIRE

Love is a burning thing
and it makes a fiery ring
bound by wild desire

(Chorus) I fell into a ring of fire
I fell into, a burning ring of fire
I went down, down, down, and the flames went higher
and it burns, burns, burns
the ring of fire, the ring of fire

(Chorus Repeat)

The taste of love is sweet
When hearts, like ours meet
I feel for you like a child
Oh but the fire went wild

(Chorus Repeat Twice)

 

Anita Carter Version

Love is a burning thing
and it makes a fiery ring
bringing hurt to the heart's desire
I fell in the ring of fire
I fell into, into the burning ring of fire
I fell down, down, down, down into the deepest mire
and it burns, burns, burns
the ring of fire, the ring of fire, the ring of fire
The taste of love is sweet
When two fiery hearts meet
I believed you like a child
Oh but the fire went wild

 

 

WESTERN MYSTICISM

Dom Cuthbert Butler 1922

Page 136

Truth and Light

" For all that, it will be instructive, as in the case of Augustine, to group under headings Gregory's ways of speaking of contemplation. In the first place, then, we saw that there was a series of passages wherein Augustine spoke of the Object contemplated in the language of pure meta­physics. Of this I find in Gregory only a single instance, wher.e he says that in contemplation' the One and Incorporeal Being, "Esse", is contemplated."
We saw how Augustine depicts his elevations to contem­plation as the result of the effort to attain to the Being that it is not subject to change. In Gregory no such intellectual hunger for the Unchangeable manifests itself. In one place, describing contemplation, he speaks of 'transcending all things changeable and inhering in the Unchangeable' (Mor. xxii. 35).
Augustine's predominant idea of the object of contempla­tion is 'Truth " the ontological Truth that is God Himself. With Gregory also the effort to attain to contemplation is to search for the Truth, 2 and its achievement is to contemplate or to feel the Truth." More fully: Contemplation is ' a subtle tasting of the savour of boundless, or unencompassed, Truth,"
and' the receiving the food of love from the pasture of contemplated Truth."
But St Gregory's favourite symbo-l, to which he returns again and again in describing contemplation, is Light. He conceives of God as the boundless or unencompassed Light­, Lumen incircumscriptum '-and contemplation is the endeavour' to fix the eye of the heart on the very ray of the unencompassed Light.'G With this may be compared his description of the Beatific Vision enjoyed by the Saints in Heaven: 'To behold God's face and see the unencompassed / Page 137 / Light.~ 1 But in this life' no one is able, to fix the mind's eye on the unencompassed ray itself of Light' 2: all it can do is , to attain to somewhat of the unencompassed Light by stealth and scantily.' 3 To this we shall return in § F.
The' unencompassed Light' constantly recurs as the object of contemplation: the effort to attain to contemplation is the desire to see the unencompassed Light, the striving to gaze on its radiance, the gaping at it; the achievement of contem­plation is to attain to somewhat of it, by understanding and feeling to taste somewhat of it, to be fed on it5 taste, to be illumined by its flash or coruscation:
He uses the same epithets as Augustine: thus he speaks of
the Light eternal of contemplation, the Light invisible, the Light incorporeal, an infusion whereof is received in contem­plation;5 of the true Light, somewhat whereof may scantily be seen;6 of the inward Light, a sight whereof flashes in the soul with a ray of brightness by the grace of contemplation,' but which man, placed in darkness, knows not as it really is of the unchangeable Light which does not in contemplation burst forth as it is on the mind's eye; 9 of the incorruptible Light; 10 of the supernal Light which our contemplation discloses to us, agape for it, and anon hides from us, failing through weak­ness.11
For St Gregory, contemplation is to pass into the Light; 12
to inhere in it, to see it hastily and taste it scantily; 13 it is to gaze on the very Fountain of Light. 14 This Light is the Light of Truth which, though not yet perceived as it is,' still is let into the mind as it were through a narrow slitY
'The chink of contemplation' is a favourite symbol with St Gregory: in contemplation the eternal or unencompassed Light is seen as is a sunbeam coming through a chink."

 

 

WHY SMASH ATOMS

A. K. Solomon 1940

VAN DE GRAAFF GENERATOR

Page 77

"Once the fairy tale hero has penetrated the ring of fire round the magic mountain he is free to woo the heroine in her castle on the mountain top."

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

 

 

I = 9 9 = I

R = 9 9 = R

 

 

OF

T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly inter vals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

2061

ODYSSEY THREE

Arthur C. Clarke 1987

Page 13 (number 0mitted)

"THE MAGIC MOUNTAIN"

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

Page 706

THE

THUNDERBOLT

 

 

THE DIE IS NOW CAST NOW CAST IS THE DIE

 

 

THE LOST WORLDS OF 2001

Arthur C.Clarke

1972

"Sorry to interrupt the festivities, but we have a problem."
(HAL 9000, during Frank Poole's birthday party)


"Houston, we've had a problem." (Jack Swigert, shortly after playing the

Zarathustra

theme to his TV audience, aboard Apollo 13 Command Module Odyssey)

 

 

HARMONIC 288

Bruce Cathie

1977

THE MEASURE OF LIGHT

Page 95

"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being

1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have

the same connotations to any 'intelligence' "

Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have

the same connotations to any 'intelligence' "

 

 

The Tempest's Epilogue

"You do look, my son, in a moved sort,
As if you were dismayed; be cheerful, sir.
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and
our little life
Is rounded with a sleep."

William Shakespeare 1564-1616

 

 

Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made

The Tempest Act 4, scene 1, William Shakespeare

 

Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and
our little life
Is rounded with a sleep.

 

 

 

JOSEPH AND HIS AMAZING TECHNICOLOUR DREAM COAT

Andrew Lloyd Webber

I closed my eyes
Drew back the curtain
To see for certain
What I thought I knew

Far, far away
Someone was weeping
But, the world was sleeping
Any dream will do

I wore my coat
With golden lining
Bright colors shining
Wonderful and new
And in the east
The dawn was breaking
And the world was waking
Any dream will do

A crash of drums
A flash of light
My golden coat flew out of sight
The colors faded into darkness
I was left alone

May I return
To the beginning
The light is dimming
And the dream is, too
The world and I
We are still waiting
Still hesitating
Any dream will do

 

 

THE FAIRY FELLER'S MASTER STROKE

RELEASED FROM THRALL FROM THRALL RELEASED

 

 

DAILY MAIL

Saturday, November 22, 2008

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Nut easy, but I've cracked it

QUESTION

It's difficult to get the whole kernel of a brazil nut out of its shell. How is this done commercially?

THE Brazil nut tree (Bertholletia excelsa) is South American and part of the family Lecythidaceae. It is a beautiful, tall evergreen with a long, straight trunk, with a diameter of 4ft to 8ft. Typically more than 100ft tall, branches appear only at the top.

Most of the world's brazil nuts do come from Brazil, though there are also plantations in Bolivia, Peru, Colombia, Venezuela and the Guianas.

The mature fruit is four to six inches in diameter and weighs 2lb to 4lb, not unlike a large coconut.

Once fallen, the fruit can be split open with a knife, revealing 12 to 24 Brazil nuts in shells closely packed together with the thin edge inward, like the segments of an orange.

These shells are, indeed, very tough. To remove them, the nuts are soaked in water fortwenty four hours, then boiled for five minutes to soften the shell, after which they are easily cracked by hand.

The good nuts are dried and graded for quality and size. Imperfect and broken kernals are used in the extraction of Brazil nut oil, which is exellent for cooking.

Mrs Jenny Page, Banbury, Oxon

 

 

He was the fourth of nine children of Robert Dadd, an apothecary and chemist in Chatham. Dadd began drawing when he was about 13, and it seems likely that ... www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid

 

 

Richard Dadd The Flight out of Egypt 1849-50 ... Richard Dadd The Fairy Feller's Master-Stroke 1855-64 ...Richard DaddWandering Musicians circa 1878 ... www.tate.org.uk/servlet/ArtistWorks?artistid

 

 

Richard Dadd 1817-1886. Richard Dadd The Fairy Feller's Master-Stroke 1855-64.The Fairy Feller's Master-Stroke 1855-64. www.tate.org.uk/servlet/ViewWork?workid=2979&tabview

 

 

... we know from his poem, Elimination of a Picture & its subject--called The Feller's Master Stroke, that everything in the painting is intentional and ... www.english.emory.edu/classes/Shakespeare_Illustrated/Dadd.Feller.html - 9k

Richard Dadd. The Fairy Feller's Master-Stroke (1855-64)

Oil on canvas, 21.25 x 15.5 inches. Tate Gallery, London.

This picture is displayed on the Tate Gallery's website. Go first to the Tate's homepage. At the top of the column on the left-hand side of the page you will see "Collections" as the first item. When you open this page, you will see on the right-hand side of the page a column where the fourth item says "Search collections." When you open that page, you will find the search engine; simply enter the names of the artist and the painting. If you click on the artist's name, you will see all the works by that particular artist at the Tate Gallery. If you click on the name of the painting, you will be taken to the image. Most of these images can be enlarged by clicking on them. If the picture has a display caption, be sure to read it; the notes will supplement what I have to say about the illustrations. Pages will open in separate windows, so close them to return to Shakespeare Illustrated. The Gallery's site is nicely constructed and easy to navigate; the Tate kindly allows us to link to its pages and to see the works in its magnificent collections.

 

Dadd was judged insane after he murdered his father in 1843, and he was committed to Bethlem Hospital. When Dr. William Hood came to the hospital as its administrator in 1852, he saw that Dadd could profitably fill his time with painting and gave him the supplies he needed. The Fairy Feller's Master-Stroke occupied the artist for nine years (1855-64), but the strange work has yet to be fully interpreted and explained.

What the painting means is obscure, but the content of the picture is made somewhat comprehensible by a poem Dadd wrote to describe the various figures and activities depicted; we know from his poem, Elimination of a Picture & its subject--called The Feller's Master Stroke, that everything in the painting is intentional and that it is not simply a pastiche of mad delusions.

At the center of the painting is a figure Dadd calls "The Patriarch." He has a full white beard and wears an improbably huge hat with a papal-like, three-tiered crown. Fairies and elves dance on the brim of the hat, which twists off into tendrils and flowers to join the vegetation surrounding the Patriarch. The Feller, directly beneath the Patriarch, stands with his axe poised, awaiting the command to split a hazelnut in two; the

fay woodman holds aloft the axe
Whose double edge virtue now they tax
To do it singly & make single double
Featly & neatly-equal without trouble.

The two halves of the hazelnut will be used to build a chariot for Queen Mab. The allusion here is probably to the Queen Mab of Romeo and Juliet (I, iv) who, Mercutio says, rides in a chariot created from "an empty hazelnut":

She is the fairies' midwife, and she comes
In shape no bigger than an agate stone
On the forefinger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep:
Her wagon spokes made of long spinners' legs,
The cover, of the wings of grasshoppers;
Her traces, of the smallest spider's web;
Her collars, of the moonshine's watery beams;
Her whip, of cricket's bone; the lash, of film;
Her wagoner, a small gray-coated gnat,
Not half so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazelnut,
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love. . . .

Dadd loved Shakespeare, and many of his paintings allude, even if somewhat tenuously, to various plays. One other detail in the painting draws two characters from A Midsummer Night's Dream. Directly above the Patriarch stand Titania and Oberon (see the detail), looking down on the busy scene of the painting. These two aspects of the painting are the only ones that have their source in Shakespeare, but if you wish to pursue the painting in more detail, David Greysmith, working from the text of Dadd's poem Elimination of a Picture & its subject--called The Feller's Master Stroke , closely describes all the figures and actions in the painting (121-25).

As we look through the clutter of nuts and berries, the tangle of grass and stems in the foreground of this puzzling work, we glimpse a scene that is oddly fitting for a nineteenth-century visualization of A Midsummer Night's Dream. This play was not, Richard Altick notes, ever performed in the eighteenth-century or the early part of the nineteenth as Shakespeare wrote it; instead, it had been adapted many times as a backdrop for opera and spectacle.

No matter when performed, or by whom, or with what text, A Midsummer Night's Dream was a favorite vehicle for spectacular staging, especially the last act, which was treated much like a pantomime transformation scene. Both this play and The Tempest were the chief Shakespearean beneficiaries, if that is the right word, of the rage for fairies on the stage and in art which was one of the more picturesque phenomena of popular culture in the 1840s. . . . Most Midsummer Night's Dream pictures therefore were realizations in paint of the play's poetic imagery, its fairy and comic characters, and its never-never-land setting in a moonlit glade . . . . they were compounds of all that went to make up the early Victorian notion of the fanciful--lush arboreal landscape, moonlight, fireflies, the flora and fauna of the woods from a rich variety of flowers to capacious toadstools, assorted hovering or reveling fairies and elves. (Altick 264)

As bizarre as Dadd's The Fairy Feller's Master-Stroke may seem to us, it reflects, along with fairy paintings by artists like Robert Huskisson, Daniel Maclise and Joseph Noel Paton, the nineteenth-century taste for a romantic, fairy and elf-ridden A Midsummer Night's Dream. Nor does the tradition die in the twentieth century. The heritage of fairy paintings of A Midsummer Night's Dream and the spectacular stage productions that look much like the paintings is revived by Max Reinhardt and William Dieterle in their 1935 black-and-white film of the play. The "ethereal forest" of the film, "with shimmering white balletic fairies racing through the trees and up moonbeams" to Felix Mendelsohn's incidental music for A Midsummer Night's Dream, Jack Jorgens says,

carries on the spectacular stage tradition. Deer, owls, frogs, birds, and a unicorn inhabit a world of intensely back-lit ferns and rushes, lush grass and pools, flowers, and huge oaks. Shakespeare's lush imagery and lyricism have been stripped from the text . . . and embodied in chords of birch trees, cascading musical streams, and swirling fog and fairies shot in soft focus through gauzes or through smeared sparkling sheets of glass." (41)

The Reinhardt film looks as if the director went directly to painters like Dadd and Paton for the designs of his scenery, and the misshapen gnomes of The Fairy Feller's Master-Stroke take their place in a twentieth-century motion picture.

We are urged, on the other hand, by Raymond Lister not to let the romantic and charming elements of Dadd's painting overwhelm us and prevent a clear reading of other possible implications of the canvas. "The picture," is, after all, he says, "a series of visions derived from the mind of its demented creator." In Dadd's painting of Titania and Oberon, as in Sir Noel Paton's The Reconciliation of Oberon and Titania, there remain dark and sinister aspects; Lister draws our attention especially to several figures in the painting that are purely distorted and menacing:

The Feller is the centre of attention of the many characters in the composition, most of whom are, in one way or another, distinctly disturbing and malicious: the hard-faced, huge-calved ballerinas, the insect-like figure just above the Feller, and especially the little old man with a white beard, looking on with crazed concentration and appalled terror (plate 64).

 

 

Biography, art, bibliography and links for Victorian fairy painter Richard Dadd.
www.popsubculture.com/pop/bio_project/richard_dadd.html

Richard Dadd was born August 1, 1817 in Chatham, Kent, England. At age 13 the family moved to London, and in 1837, Dadd, age 20, was admitted to the Royal Academy of Art. Dadd showed talent at the Academy and gathered a number of painterly friends, known collectively as 'The Clique'. He won several awards while at the Academy, and began exhibiting his work during his first year.

  In 1841, he received a commission to do the woodblock illustrations for a book called the Book of British Ballads, as well as an oil painting called Titania Sleeping, which is perhaps the best example of his early work. Overall, his style was not particularly remarkable, no more so than any other moderately gifted painter in Victorian England during the stylistic phase now referred to as "The Fairy School".

  The Victorians were obsessed with fairy lore, and much of the art of this period reflects this. Their fascination can be attributed to several things, chief among them perhaps being the effort to rediscover their folkloric past; an emergent spiritualist movement, as witnessed by the founding and flourishing of such groups as the Masons, the Golden Dawn and the Theosophical Society (in fact it was the Theosophical Society that published the now infamous CottingleyFairy pictures, authenticated by Sir Arthur Conan Doyle and later found to be a hoax perpetrated by 2 young girls (9 and 11 years old, respectively). Or, as one modern author has perhaps a little cynically put it, it could also easily be attributed to the newly available hallucinogens at a time when the world was only lit with oil lamps and gas jets.

  In June 1842, Dadd and his patron, Sir Thomas Phillips, left England to travel extensively in the Middle East and Europe. Things were going well until Dadd , in Egypt, encountered a group of old Arab men smoking a "hubbly-bubbly", an arabic style waterpipe. Dadd joined them, and according to his later claims, spent five continuous days and nights smoking. Though the men never spoke, Dadd became convinced that the sound of the bubbling pipe was actually a form of communication. By the fifth day, he had deciphered a message, which he claimed was from the Ancient Egyptian god Osiris. (You may want to note that in Egyptian mythology, Osiris is killed and dismembered by his brother.)

  After this encounter, Dadd began to suffer from persistent headaches and odd behavior which his travelling companion attributed to "sun stroke". In Rome, Dadd expressed a near uncontrollable urge to attack the Pope during a public appearance. Leaving Rome, Dadd began to act with increasing violence towards Phillips, and by the time they had reached Paris in late spring of 1843, Dadd 's behavior could no longer be discounted as the effects of too much sun.

  Dadd left Phillips and returned to England, where his family had a physician specializing in mental illness examine him (Dadd 's brother had been acting strange of late as well.) The doctor found him to be "non compos mentis", legally not of sound mind. Unfortunately, instead of being institutionalized, Dadd convinced his father that all he needed was a rest, and together they travelled to a country village called Cobham, where Dadd claimed that he would "disburden his mind" to his father.

  It was on August 28th, 1843, at a chalk pit called Paddock Hole, a forested area just outside of Cobham, that his life changed forever. Rather than disburden his mind, Richard Dadd chose to brutally murder and dismember his father with a knife and a razor. (This is where Osiris might be linked)

  Dadd immediately fled to France, not even changing his bloodstained clothing until his arrival in Calais. Meanwhile, back in England, the authorities, having found Dadd's father, were now busily searching the area now known as "Dadd's Hole" for signs of Richard, whom they feared had fallen victim to the same murderer. It was not until his brother in London was notified of the murder that Richard was even considered a suspect. When the police searched Dadd's apartment in London, they found Dadd's sketchbook full of portraits of his friends and acquaintances, each one depicted with their throat slashed. Based on this incriminating evidence, his likeness was circulated, but of course, it was too late.

  Dadd travelled to Paris, where he promptly attempted to slash the throat of a fellow tourist. The French authorities arrested him, and Dadd volunteered his real name, and confessed to the murder of his father. Dadd was imprisoned, and later, when transferred to an asylum, the authorities found secreted on his body a list of people "who must die", with his dear old father being number one on it.

  Dadd was sent to England in July of 1844 for trial and was committed to the famous insane asylum known as Bedlam, at age 27. The Bethlem Hospital (Bedlam was a corruption of the name) was founded by an order of monks called Saint Mary of Bethlehem in 1247, located in Bishopgate, London. It still serves as an asylum to this day, though it has changed names and locations. The Museum of London had an exhibition of photographs and other items commemorating the asylum's 750th anniversary in 1997.

  Dadd was diagnosed with what is now known as bipolar manic depression, an ailment which has affected a great number of famous people over the centuries. In the asylum, the doctors encouraged him to continue painting, which he certainly did, but Richard Dadd had entered a new era in his painting career. It was here that he executed such masterworks as Fairy Feller's Master Stroke and Contradiction: Oberon and Titania. Fairy Feller, or more properly, by its full title: Fairy-Feller's Master-Stroke. Painted for G. H. Hayden, Esqr by Rd. Dadd / quasi 1855 - 1864, is a painting of only 54cm by 39.4cm, and arguably one of England's master works. Dadd referred to it as 'quasi', because in his estimation, it was unfinished, though he spent nine years painting it. There is no possible way that Fairy-Feller can be properly reproduced in any medium. It is literally three dimensional, so thick are the layers of paint that Dadd painstakingly applied. Using a magnifying glass, Dadd worked in minute, obsessive detail, even the original painting, which is in London, a part of the Tate Gallery collection, needs to be displayed with 'raking light' in order to be properly appreciated.

  When Dadd finally stopped work on the painting, he immediately reproduced it in watercolor, and wrote a bizarre verse guidebook for it entitled Elimination of a Picture and its subject - called The Feller's Master Stroke. The guide starts with: "We'll now advance these folks displayed as in a trance...", and goes on to assign each of the hundreds of even minor characters a separate task. The painting itself is a tribute to harmony and balance and elements are repeatedly mirrored and contrasted. An example of this balance can be seen by the portrayal on the left side of two "wenches rather smart" and on the right, two corresponding well dressed males. If you come across a good reproduction of the painting, you may even be able to make out a tiny satyr in the undergrowth beneath the skirts of one of the women, leering upwards. Dadd 's later paintings have a multilayered detail than takes hours to appreciate. What is unfortunately lost in reproduction is the true three dimensionality of canvas, a case of subject and technique being perhaps a little too intimately intertwined.

  Dadd stayed in Bedlam for almost 20 years, later transferred to another asylum called Broadmoor, where he remained for the rest of his life, dying at age 69 from "acute lung disease".

  Richard Dadd 's work lives on. Even during his lifetime, the Victorian public were interested in him, and there were several popular exhibitions of his work. In our century, Dadd has come back into the public eye. The rock band Queen had a song on their second album titled "Fairy Feller's Master Stroke", and there are dozens of other contemporary examples, including author Neal Gaiman, who cites him as an inspiration (other interesting examples have been included in the 'external links' section below.)

  Would we have remembered Richard Dadd , had he not gone insane and murdered his father? Most likely not. Like the Marquis de Sade, who spent the final years of his life in an asylum, the institution allowed him to explore his internalized passions to their fullest. In the institution,Dadd , had no models to work from, only his memories. The painted world became the real one, much like the Marquis with his writings. It was truly his insanity, not for the notoriety it gave him, but the intensity of focus it allowed, that made him great.

 

 

Words and music by Freddie Mercury

He's a fairy feller
Ah ah the fairy folk have gathered
Round the new moon's shine
To see the feller crack a nut
At night's noon time
To swing his axe he swears
As he climbs he dares
To deliver the master stroke

Ploughman wagoner will' and types
Politician with senatorial pipe
He's a dilly dally oh
Pedagogue squinting wears a frown
And a satyr peers under lady's gown
He's a dirty fellow
What a dirty laddie-oh

Tatterdemalion and the junketer
There's a thief and a dragonfly trumpeter
He's my hero ah
Fairy dandy tickling the fancy
Of his lady friend
The nymph in yellow (can we see the master stroke)
What a quaere fellow

Ah ah ah ah ah ah
Ah ah ah ah ah ah

Soldier sailor tinker tailor ploughboy
Waiting to hear the sound
And the arch magician presides
He is the leader

Oberon and Titania watched by a harridan
Mab is the queen and there's a good apothecary man
Come to say hello
Fairy dandy tickling the fancy
Of his lady friend
The nymph in yellow
What a quaere fellow
The ostler stares with hands on his knees
Come on mister feller
Crack it open if you please

 

 

I LOVE HAZLENUTS HAZLENUTS LOVE I

CRACKED BY HAND BY HAND CRACKED

 

 

THE FAIRY FELLER'S MASTER STROKE

RELEASED FROM THRALL FROM THRALL RELEASED

 

 

DAILY MAIL

Tuesday, December 2,008

Rocking the cradle

Fay Schlesinger

"...It seems the sound of the bedtime lullaby is changing fast.

Traditional songs such as Rock A Bye Baby and Twinkle Twinkle Little Star are no longer soothing babies to sleep."

 

 

IN THE COUNTRY OF THE BLIND THE ONE EYED MAN IS KING

HURRAH FOR RAH FOR RAH HURRAH

 

 

There has not been a brighter, closer conjunction of Venus and Jupiter in Leo so ... The second theory is the conjunction of Jupiter and Venus in 2 B.C. ... newsinfo.iu.edu/OCM/packages/bethstar.html

STAR OF BETHLEHEM MAY HAVE BEEN PLANETS JUPITER, VENUS

BLOOMINGTON, Ind. -- Early in the evening of June 17, 2 B.C., the brightest planets in the sky, Jupiter and Venus, merged into a dazzling "star" near the western horizon, according to calculations of modern astronomers. In countries to the east of what was then the kingdom of Judea, observers could have seen the fused planets as a beacon in the direction of Jerusalem.

Astrologers associated Jupiter with the birth of kings and Venus with fertility. The meeting of Jupiter and Venus took place in the constellation Leo the Lion, which the Old Testament of the Bible specifically associated with the Jewish people. And it happened near the brightest star in Leo, Regulus, most closely identified with kingship.

There has not been a brighter, closer conjunction of Venus and Jupiter in Leo so near to Regulus in the 2,000 years before or since.

Could this be the event that caused a group of astrologers called the Wise Men to travel to Jerusalem in search of a new king almost 2,000 years ago?

The Star of Bethlehem is mentioned only in a few verses of the New Testament's Book of Matthew (Chapter 2: 1-12), but it is one of the best-known parts of the Christmas story. A number of astronomers and historians have tried to determine what the unusual sight could have been.

Still there is no consensus. Explanations have been proposed since a suggestion by astronomer Johannes Kepler in the 17th century, but each contribution has seemed to raise as many problems as it solves.

Hollis Johnson, professor emeritus of astronomy at Indiana University, has collected a number of journal articles and other materials on the subject. "The question of the star is divided into two parts," Johnson noted. "One is astronomical: if a star was reported at the time, what was it? The other is astrological: why did the Wise Men associate the star with the birth of Jesus?"

There are three main theories to explain the Star of Bethlehem, Johnson said. One is a close approach by Jupiter and Saturn three times during a period of one year in 7-6 B.C. These conjunctions were not spectacular, Johnson said, but a triple conjunction is rare and was therefore significant to astrologers. A conjunction is a close approach between two celestial objects as seen from Earth. The closer the objects come to each other, the more visually impressive and astrologically significant the event is. This explanation is currently the most popular, because it makes the common assumption that King Herod the Great died in 4 B.C.

The second theory is the conjunction of Jupiter and Venus in 2 B.C. described earlier. For this explanation to be true, Herod must have died at a later date than is commonly believed.

The third theory involves something different - a nova in the constellation Aquila the Eagle, recorded by the Chinese in 5 B.C. A nova is an enormous explosion at the surface of a star that is similar to a hydrogen bomb explosion, but much more powerful. The star temporarily brightens greatly, which we see as a nova. After a few days the star begins to fade, and after several months it is back to its original brightness (which may be quite faint).

"We don't know how bright the nova was, but it appeared to the ancients to be a new star," Johnson pointed out. If the nova were not bright, it would have been noticed only by those who studied the sky, such as astrologers. But it would have been significant to astrologers because it was new.

Apparently the Star of Bethlehem was noticed only by the Wise Men. There is no mention of a star in Luke's description of an angel announcing the birth of Jesus to shepherds in a field. According to Matthew, when the Wise Men arrived in Jerusalem they asked Herod, "Where is he who is born King of the Jews? For we have seen his star in the east and have come to worship him."

Herod had no idea what they were talking about and had to summon his advisers. The advisers told the Wise Men that according to prophecy, the Messiah would be born in Bethlehem.

If the birth of Jesus had been marked by a spectacular event such as a comet, which was considered an omen of great significance, Herod at least would have understood the Wise Men's reference to a star, and the shepherds would have been expecting something extraordinary to happen instead of being surprised.

The astronomical event that excited the Wise Men seems to have been significant only to them. This rules out the possibility of a conspicuous comet, which otherwise would be a good candidate. It implies that the Wise Men were astrologers (among other things), for such men would have known how to interpret the appearance of a celestial object that did not attract more than the casual attention of ordinary people.

To provide an astronomical explanation of the Star of Bethlehem, however, it is necessary to know precisely when the Wise Men made their journey to Judea. That turns out to be difficult to determine.

The most crucial fact is that Herod was king when the Wise Men arrived in Jerusalem. The difficulty is caused by disagreement among scholars about when Herod died. Roman record-keepers were normally scrupulous, but no specific record of Herod's death has been found. There is considerable indirect evidence that Herod died in 1 B.C. or 1 A.D., but the commonly quoted date for his death is 4 B.C. Scholars writing in the first and second centuries A.D. declared that Jesus was born between what we now call 4 B.C. and 1 B.C. They were living much closer to the event and had access to thousands of historical records.

In September of 3 B.C., Jupiter came into conjunction with Regulus, the star of kingship, the brightest star in the constellation Leo the Lion. Leo was the constellation of kings, and it was associated with the Lion of Judah. Just a month earlier, Jupiter and Venus had almost seemed to touch each other in another close conjunction, also in Leo. Then the conjunction between Jupiter and Regulus was repeated in February and May of 2 B.C.

Finally, on June 17, 2 B.C., Jupiter and Venus, the two brightest objects in the night sky except for the moon, came so close that their disks appeared to touch. This exceptionally rare event could not have been missed by observers such as the Wise Men.

The Bible does not mention how many Wise Men there were or where they came from. (The tradition of three Wise Men developed from the Bible's description of three gifts - gold, frankincense and myrrh.) It is reasonable to suppose that their journey took months, however, since they had to cross several hundred miles of desert to reach Jerusalem. If they were in Jerusalem before dawn on Dec. 25, 2 B.C., they would in fact have seen Jupiter almost directly over Bethlehem to the south. They could have traveled the five miles to Bethlehem and presented their gifts that day. By then Jesus would have been a child living with his parents in a house, not a baby in a manger. There is a reference not to an infant (brephos in the Greek) but to a toddler (paidion), indicating that the birth itself had been some months before.

This would mean Jesus was born in the spring or summer, which makes a better setting for Luke's account of the shepherds. In December in Judea it was too cold for sheep to graze in the open fields, and they were kept under shelter during the winter months, especially at night.

There is no conflict with the traditional date of Jesus' birth, because Dec. 25 was an arbitrary choice. Early Christians changed the date numerous times to avoid discovery by the Romans when persecution of Christianity was at its height. When Christianity finally became the official religion of the Roman Empire, the festival of Christmas on Dec. 25 observing the birth of Jesus replaced the pagan festival of Saturnalia at that time, which had celebrated the "rebirth of the sun" as the days got longer following the winter solstice.

Designating Jupiter or the conjunction of Jupiter and Venus as the Star of Bethlehem eliminates a number of problems, but probably neither is the last word on the subject. So little is known historically about the period when Jesus was born that new information may well provide a more accurate picture of what happened.

 

 

THE KORAN

EVERYMAN

Everyman I will go with thee and be thy guide

Translated from the Arabic by J. M. Rodwell

"The Koran, or, to give it its strict transliteration, the Qur'an, is the sacred book of Islam. For Muslims it is the word of God revealed in Arabic by the archangel Gabriel. . . "

 

 

REAL REALITY REVEALED REALITY REAL

BY

GODS

MESSENGER GABRIEL MESSENGER

MOSQUE ISLAM MOSQUE

IMAM

 

 

do u happen to have any information about the imam zein il abeden ... Next Oldest · The 12 Imams · Next Newest » ...
al-imam.net/forums/index.php?showtopic

KATHUM

Sep 22 2005, 08:50 PM

here is the list of the 12 imams for those
who want to learn them **try learn them 3 at a time**

the 12 successors of nabiyal rahma (prophet of mercy) wa kalamatal noor (word of light) pbuh.gif are

Ameeral Momineen Imam Ali as.gif, al-murtatha,
then Imam Hassan as.gif, al-mujtaba,
then Imam Hussein as.gif, al-shaheed,
then Imam Ali ibn Hussein as.gif, Zainal-abideen, Al-sajjad
then Imam Mohammad ibn Ali as.gif, Al-Baqir
then Imam Jaffar ibn Mohammad as.gif, Al-Sadiq
then ImamMusa ibn Jaffar as.gif, Al-Kathem
then ImamAli ibn Musa as.gif, Al-Retha
then Imam Mohammad ibn Ali as.gif, Al-Jewad
then Imam Ali ibn Mohammad as.gif, Al-Naqi
then Imam Hassan ibn Ali as.gif, Al-Zakiy-al-Askari
then Imam Mahdi as.gif, Al-qaem


--------------------
"Aoccdrnig to a rscheearch at an Elingsh uinervtisy, it deosn't mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht frist and lsat ltteer is at the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit porbelm. Tihs is bcuseae we do not raed ervey lteter by itslef but the wrod as a wlohe."

 

"AOCCDRNIG TO A RSCHEEARCH AT AN ELINGSH UINERVTISY, IT DEOSN'T MTTAER IN WAHT OREDR THE LTTEERS IN A WROD ARE, THE OLNY IPRMOETNT TIHNG IS TAHT FRIST AND LSAT LTTEER IS AT THE RGHIT PCLAE. THE RSET CAN BE A TOATL MSES AND YOU CAN SITLL RAED IT WOUTHIT PORBELM. TIHS IS BCUSEAE WE DO NOT RAED ERVEY LTETER BY ITSLEF BUT THE WROD AS A WLOHE"

 

ACCORDING TO A RESEARCH AT AN ENGLISH UNIVERSITY, IT DOESN'T MATTER IN WHAT ORDER THE LETTERS IN A WORD ARE, THE ONLY IMPORTANT THING IS THAT FIRST AND LAST LETTER IS AT THE RIGHT PLACE THE REST CAN BE A TOTAL MESS AND YOU CAN STILL READ IT WITHOUT PROBLEM. THIS IS BECAUSE WE DO NOT READ EVERY LETTER BY ITSELF BUT THE WORD AS A WHOLE.

 

 

SAPTARSHI

 

Saptarshi
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Hindu swastika

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The Saptarshi (सप्तर्षि saptarṣi a Sanskrit dvigu meaning "seven sages") are the seven rishis who are extolled at many places in the Vedas and Hindu literature. The Vedic Samhitas never actually enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion. The Big Dipper asterism is also called Saptarshi.

The earliest list of the Seven Rishis is given by Jaiminiya Brahmana 2.218-221: Vasiṣṭha, Bharadvāja, Jamadagni, Gotama, Atri, Viśvāmitra, and Agastya, followed by Brihadaranyaka Upanisad 2.2.6 with a slightly different list: Gotama and Bharadvāja, Viśvāmitra and Jamadagni, Vasiṣṭha and Kaśyapa, and Atri. The late Gopatha Brāhmana 1.2.8 has Vasiṣṭha, Viśvāmitra, Jamadagni, Gotama, Bharadvāja, Guṅgu, Agastya, and Kaśyapa.

In post-Vedic texts, different lists appear; some of these rishis were recognized as the mind born sons of Brahma, the representation of the Supreme Being as Creator. Other representations are Mahesha or Shiva as the Destroyer and Vishnu as the Preserver. Since these seven rishis were also among the primary eight rishis, who were considered to be the ancestors of the Gotras of Brahmins, the birth of these rishis was mythicized.

Many of the rishis listed below are the ancestors of the Gotras.

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[edit] Names of the Saptarshis

In post-Vedic religion, Manvantara is the period of astronomical time within an aeon or Kalpa, a "day (day only) of Brahma"; like the present Śveta Vārāha Kalpa, where again 14 Manvantaras add up to create one Kalpa.

Each Manvantara is ruled by a specific Manu, apart from that all the deities, including Vishnu and Indra; Rishis and their sons are born anew in each new Manvantara, the Vishnu Purana mentions up to seventh Manvantara [1].

 

 

SAPTARSHI A STAR SHIP SHIP STAR A SAPTARSHI

PAST A RISH SAPTARSHI SAPTARSHI RISH A PAST

A PAST RISH RISH PAST A

SHRI

KRISHNA

SHRI KRISHNA KRISHNA SHRI

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

 

MANY LIVES ARJUNA HAVE I LIVED

I

KRISHNA

REMEMBER THEM ALL ARJUNA THOU DOST NOT

 

 

IS RA EL IS EL RA IS LEAR REAL ISISIS REAL LEAR IS RA EL IS EL RA IS

GOD IS RA GOD IS EL GOD IS REAL REAL IS GOD GOD IS EL GOD IS RA

 

 

I

ME

AND YOU AND

GOD

DO YOU KNOW DOES SHE KNOW DOES HE KNOW DO THEY KNOW

WHO KNOWS WHO KNOWS WHO

KNOWS GOD GOD KNOWS

 

9-1-09-90-1-9

 

 

IN SEARCH OF EXTRA TERRESTRIALS

Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth

Alan Landsburg 1976

Page 79

" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."

 

 

REACH FOR TOMORROW

Arthur C. Clarke 1956

Introduction to 1989 Edition

"However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . "

 I see the number 9000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "

 

 

THE LOST WORLDS OF 2001

Arthur C. Clarke 1972

Page179

"A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."

 Page 189

"The other is Clarke's Third* Law

"Any sufficiently advanced technology is indistinguishable from magic"

 

 

GODS OF THE DAWN

Peter Lemesurier

1997

"As Arthur C. Clarke's perceptive Third Law puts it:

"Any sufficiently advanced technology is indistinguishable from magic."

 

 

THE SECRET HISTORY

OF

ANCIENT EGYPT

Herbie Brennan

2000

"The British science fiction writer Arthur C. Clarke is said to have commented that

"any sufficiently high technology is indistinguishable from magic"

 

 

THE BIBLE CODE

Michael Drosnin 1997

Chapter Four

THE SEALED BOOK  

Page 70

"The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop.

'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan.

'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.'

The author of 2001, Arthur C. Clarke - who envisioned a mysterious black monolith that reappears at successive stages of human evolution, each time we are ready to be taken to a higher level - made a similar observation:

'Any sufficiently advanced technology is indistinguishable from magic.'

Page 163

pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology 'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p. 352.

The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984).

Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "

 

 
FIRST CONTACT
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE
Edited By
Beb Bova and Byron Preiss

1990

 

SEIZING THE MOMENT

A UNIQUE MOMENT IN HUMAN HISTORY
Michael Michaud
 

ANTHROPOCENTRISM GOOD-BYE

Page311

"The most profound message from the aliens may never be spoken: We are not alone or unique. Contact would tell us that life and intelligence have evolved elsewhere in the Universe, and that they may be common by-products of cosmic evolution. Contact would tend to confirm the theory that life evolves chemically from inanimate mat- ter, through universal processes,implying that there are other alien civilizations in addition to the one we had detected. We might see ourselves as just one example of biocosmic processes, one facet of the Universe becoming aware of itself. We would undergo a revolution in the way that we conceive our own position in the Universe; any remaining pretense of centrality or a special role, any belief that we are a chosen species would be dashed for- ever, completing the process begun by Copernicus four centuries ago.

The revelation that we are not the most technologi-cally advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding.

 

(Arthur C. Clarke has observed that any sufficiently advanced technology would be indistinguishable from magic.)

"ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUISHABLE FROM MAGIC"

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 118

"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:

Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wis-dom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from pas-sion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)

"(BG, 18:36-9)"

 

 

HARMONIZED

Page number omitted

THE STUDENT'S ASSISTANT

 IN

ASTRONOMY AND ASTROLOGY

  : CONTAINING
 
 OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
       SUN AND SUPERIOR PLANETS,
              CALCULATED FOR 44 YEARS TO COME.
 Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
         every month, from 1836 to 1880. Heliocentric
and Geocentric Longitude of all the
f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF

ONE HUNDRED AND FORTY-FOUR

FIXED STARS, FOR PAST AND  FUTURE YEARS.
        Eclipses of the Sun visible in England.
 ALSO
           A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
         AND  E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.

PREFACE

"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At  the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportu-nity of more perfectly understanding the appa-rent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."

"Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."

Page 9 (number omitted)

INTRODUCTION TO ASTRONOMY.

"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."

 

 

UNCONDITIONAL LIFE

MASTERING THE FORCES THAT SHAPE PERSONAL REALITY

Deepak Chopra 1991

A Mirage of Miracles

Page 89

"The Mask of Maya"

"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."

"Maya also means magic a show of illusions"

"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality

True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."

"The fearfull illusion becomes a wonderful show if only you can manipulate it."

 

 

THE

ZED ALIZ ZED

AND

THE

VERY FAR YONDER SCRIBE

BLOWS A KISS A KISS BLOWS

BLOWS

EVERYONE A KISS A KISS EVERYONE

HE'S A LOVE SHE'S A LOVE SHE'S A LOVE HE'S A LOVE

ALL THAT OF CREATION R LOVED LOVED R U U R LOVED LOVED R CREATION OF THAT ALL

 

 

REALITY FANCY DRESS THE DRESS FANCY REALITY

THE

PLAY GODS GAME GODS PLAY

AS YOU LIKE IT

GODS

WONDERFUL REALITY REALITY WONDERFUL

SPUN FROM DIVINE THOUGHTS THOUGHTS DIVINE SPUN FROM

THE LIVING EVERYTHING INCLUDING YOUR DIVINE THOUGHTS

NEGATIVE BALANCING POSITIVE POSITIVE BALANCING NEGATIVE

DARK BALANCING LIGHT LIGHT BALANCING DARK

MASS BALANCING ENERGY ENERGY BALANCING MASS

PERFECT GOD INTELLIGENT CREATORS CREATORS INTELLIGENT GOD PERFECT

THAT THATTHAT

THAT THATTHAT ISISIS THAT THATTHAT

 

 

AND THEE ART THAT THOU THAT THOU ART THAT ART THAT I ME YOU THAT ART

THAT I ME I THAT

THOU THEE THOU

 

THAT THAT THAT

THOU SAYETH THAT THOU ART ART THOU THAT SAYEST THOU

ART

KARMAS POISONERS OF THE RESERVOIR

OF

LIVING SPIRIT OF GODS GOOD BALANCING LIGHT ART THAT

 

 

I ME THAT I ME

I

SAY

R U

STILL IN THAT FANCY DRESS AFTER ALL THIS TIME

THUS HAVE I HEARD HEARD I HAVE THUS

SAY I SAY

ME THAT ME

THAT I THAT I THAT

TIME I EMIT

TIMES BAD TIMES GOOD THAT THAT THAT GOOD TIMES BAD TIMES

REAL REALITY REVEALED REVEALED REALITY REAL

THE

ATOMIC MIND GODS MIND ATOMIC

 

 

GOD MEANS GO DO GOOD GOOD DO GO MEANS GOD

GOD IS THAT PHANTOM IN PHANTASMOGRIAS IN PHANTASMAGORIAS IN PHANTOM THAT IS GOD

 

 

O

NAMUH

PLAY UP PLAY UP AND PLAY THE GAME PLAY UP PLAY UP AND RAISE YOUR GAME

 

 

CREATORS O PERFECTION O PERFECTION O CREATORS

PERFECT TRUTH TRUTH PERFECT

THE LIVING ESSENCE OF DIVINE THOUGHT THOUGHT DIVINE

 

 

I ME YOU DECIDE WHAT IS THAT PERFECT LIVING CREATORS TRUTH THAT TRUTH IF WRONG SUFFERS UNTO YOU THE CONSEQUENCES OF THAT CREATIVE METAMORPHOSIS YOU ARE ALIVE WITHIN UNIVERSAL MIND YOU ARE UNIVERSAL MIND THERE IS NO DEATH FOR LIVING SPIRIT JUST CHANGE ALWAYS AN UNAWARE CONTINUITY OF LIVING RAINBOW VIBRATIONS WITHIN THE LIVING THREAD AS FOR THE I ME BODY DEATH HAVING FIRST SUSTAINED DEATH OF THE BODY VEHICLE COMES THE MOMENT OF TRANSITION SUDDENLY AWARE ART THOU THAT THOU HATH BIRTHED ANEW INTO ANOTHER REALITY ALWAYS MEMORY BLIND THE CREATORS LIVING SPIRIT THAT THAT THAT WHICH FIRST SPAWNED THEE FULLSOME AND LIFE AWARE UPON THY DREAMING WAY IS ETERNAM IMMORTAL DEATH SHALL NOT BE THINE ESCAPE ALWAYS IS THE EVENTUAL HELL OF THE I ME EGO THE SO CALLED SELF THAT WHICH IS SEEMINGLY AN INDIVIDUAL I ME EGO AN APPARENT SINGULARITY THE PATH OF PTAH SUSTAINED BY THE LAW THAT MAATIS THAT IS THE FIRST LAW OF THE CREATORS FIRST LAW THAT OF CREATIVE PERFECTION THE LAW OF INDIVIDUAL AND COLLECTIVE KARMAS AND IT IS WITHIN THAT CREATORS COLLECTIVE OF LIVING REALITY THAT THE MISCONCEPTION OF THE I ME YOU REALITY IS BIRTHED KNOWLEDGE OF THIS WITHIN REALITY IS THE PATH OF PTAH THERE IS NO ESCAPE FROM THAT YOU ARE GOD ENERGY DIVINE ENERGY FEMINE AND MASCULINE CREATORS THEIR IS NO FORM ALERT OR INERT THAT IS NOT GODS AND YOU ARE GODS GODS CREATORS YOU BIRTH YOURSELF ALWAYS HURRYING TOWARD THAT SOMETHING AND NOTHING SOME FASTER THAN OTHERS YOUR CHOICES BUT THAT CHOICE OF CHOICES IS THE ONLY CHOICE EN-ROUTE FROM WHENCE THOU DIDST COME BORN INTO THE CYCLE OF THE CIRCLE TO COMPLETE THAT CYCLE IS THE SPIRITUAL ORGASM THAT RESURRECTS THE VIRGIN BIRTH WHICH IS A BEING CONCIEVED ANEW OUT THE IN OF GODS MATERNAL ENERGY HAVING SUFFERED NO LESS THAN THE CRUCIFIXION OF THE I ME KARMIC INHERITANCE OF A SUPPOSED INDIVIDUAL EXISTENCE AND THE HORUS COSCIOUSNESS CAN ONLY BE BIRTHED OUT THE IN OF THIS APPARENT INDIVIDUAL AND CREATIVE COLLECTIVE A JOINT VIRGIN BIRTH AND ONLY POSSIBLE HAVING FIRST BEEN WEIGHED IN THE BALANCE AS AN I ME ENTITY THE WEIGHING OF THE HEART CEREMONY IS THE UNDERGOING OF THE ETERNAL CREATIVE LIVING JUDGEMENT GODS RECOGNITION OF GODS MIRRORED IN THE FLICKERING FEATHER OF THE BALANCING ONLY IF THE CANDIDATE IS NOT FOUND WANTING CAN PASSAGE OVER THE LIVING BRIDGE OF RAINBOW LIGHT OCCUR A LIFE REBORN AWARE AND AWAKENED INTO GOD INTO THAT WHICH IS ALWAYS HAVING SUFFERED THE DEATH OF THE I ME EGO WITHIN THIS REALITY THERE CAN BE NO RETURN TO THE PAST SENSE OF WHAT IS A RECOGNITION OF DIVINE CREATIVE PERFECTION BECOMES THEE A MANIFESTATIN OF LIVING ENERGY NOW KARMICALLY EXHAUSTED FOR ALL AND EVERYTHING THERE CAN BE NO ESCAPE FROM THE PATH OF PTAH UNTIL THAT BALANCING HAS BEEN ACCOMPLISHED UNTIL THAT HAPPENS YOUR SO-CALLED I ME IDENTITY IS BUT A TRAVESTY OF THE TRUTH THE CYCLE OF GODS RENEWAL IS ETERNAL GODS GOLDEN LIGHT AT THE END OF THE RAINBOW SUSTAINS THE REALITY THE REALITY SUSTAINS GODS GOLDEN LIGHT AT THE END OF THE RAINBOW

 

 

CREATORS GODS REALITY IS REAL FREEDOM FREEDOM REAL IS REALITY GODS CREATORS

 

 

TO TELL THE TRUTH IF IT WAS ME IF I WERE YOU I WOULD DO THIS

ON THE OTHER HAND

TO TELL THE TRUTH IF IT WAS ME IF I WERE YOU I WOULD DO THAT

 

 

I

AM

HALF A DOZEN OF ONE AND SIX OF THE OTHER

GIVE OR TAKE A FEW COME DAY GO DAY

EITHER OR NEITHER NEITHER OR EITHER

NEITHER ONE THING OR THE OTHER

HERE OR THERE THERE OR HERE

NOTHING AND SOMETHING SOMETHING AND NOTHING

FIFTY FIFTY

ODDS OR EVENS EVENS OR ODDS

THAT CREATORS THAT

CREATORS PERFECT BALANCING GODS BALANCING PERFECT CREATORS

THAT IS ME AND YOU KNOW ME MY WORD IS MY BOND

ALWAYS HAS BEEN ALWAYS WILL BE

I AM EVERYTIME AS HONEST AS THE DAYS LONG EVERYTIME HONEST AS THAT AM I

POSITIVE AM I ALWAYS AM I POSITIVE

NEGATIVE AM I ALWAYS AM I NEGATIVE

YOU HAVE IT IN A NUT SHELL IN A NUT SHELL YOU HAVE IT

 

 

SATAN SAT AND THOUGHT AND THOUGHT AND SAT SATAN

THOUGHT

THAT THOUGHT THAT SPUN THE GOLDEN WEB THE WEB GOLDEN THAT SPUN THE THOUGHT THAT

CONSPIRES THY RUINATION O NAMUH O THY RUINATION CONSPIRES

I

CANT DO RIGHT FOR DOING WRONG

I

CANT DO WRONG FOR DOING RIGHT

 

 

I

AM

ALWAYS

SUFFERING

AM I AM

SUFFERING ALWAYS SUFFERING

THE UPSIDE DOWN OF THE INSIDE OUT

BALANCING THE ODDS ALWAYS BALANCING THE ODDS

BALANCING THE GODS ALWAYS BALANCING THE GODS

 

 

THAT

IS

ME

LIKE IT OR LUMP IT

ASK NO QUESTIONS TELL NO LIES

 

 

WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP WAKEN UP

 

 

I

SAY

HEAVENS

ABOVE

IN

ALL

TRUTH

WHERE R IN HELLS NAME R U ALL GOING U R ALL IN HELLS NAME GOING WHERE

 

 

I

SAY

MAKE THAT IMAGINATIVE LEAP O NAMUH O THAT IMAGINATIVE LEAP MAKE

THOU ART LIKE ALL ELSE UNIVERSAL MIND GODS UNIVERSAL MIND THOU ART GODS BUT KNOW IT NOT

 

 

I

SAY

HAVE I MENTIONED DIVINE THOUGHT DIVINE LOVE DIVINE REALITY HAVE I MENTIONED

THAT O THAT

I

HAVE

SAY

I

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

 

MAN'S UNKNOWN JOURNEY

Staveley Bulford 1941

An introduction and contribution to the study of subjects essential to a new revelation - The Evolution of the Mind and Consciousness - in the journey of Mankind towards Perfection on and beyond the Earth

Page 190/191

"Words are inadequate to express the multitude of patterns of both Harmony and Discord portrayed by Thought, and the reader who may be unfamiliar with such a possibility as Thought power, must feel somewhat like a cocoon being told that some day he will be a butterfly himself and fly around from / flower to to flower that even at the present moment he, the cocoon, possesses all the essentials for that almost inconceivable manifestation."

 

 

I ME EGO OGRE

THE GOD OF SELF ESTEEM

 

 

FOR I HAVE KNOWN THEM ALL ALREADY KNOWN THEM ALL HAVE KNOWN

THE EVENINGS MORNINGS AFTERNOONS I HAVE MEASURED OUT THY LIVES IN COFFIN SWOONS

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

 

 

 

GOD ONE GOD

AND ONE CHOSEN RACE THE HUMAN RACE

 

 

THE WHITE GODDESS

Robert Graves 1948

Page 337

Chapter Eighteen

THE BULL FOOTED GOD

"Isis is an onomatopoeic Asiatic word, Ish-ish, meaning 'she who weeps', because the Moon was held to scatter dew and because Isis, the pre-Christian original of the Mater Dolrosa, mourned for Osiris when Set killed him."

 

 

THE WHITE GODDESS

Robert Graves 1948

Page 149

Chapter Nine

GWIONS HERESY

"The Essene initiates, according to Josephus, were sworn to keep secret the names of the powers who ruled their universe under God. Were these powers the letters of the Boibel-Loth which together, composed the life and death story of their demi-god Moses? 'David' may seem to belong to a later context than the others, but it is found as a royal title in a sixteenth century B.C inscription; and the Pentateuch was not composed until long /Page 150/ after King David's day Moreover, David for the Essenes was the name of the promised messiah."

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

CHEIRO'S

BOOK OF NUMBERS

Circa 1926

Page106

"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all."The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?

 

 

I

ME

I SAY ISIS SAY I

I SAY OSIRIS SAY I

I SAY CHRIST SAY I

I SAY KRISHNA SAY I

I SAY RISHI ISHI ISHI RISHI SAY I

I SAY VISHNU SHIVA SHIVA VISHNU SAY I

 

 

 

R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

 

THE SPLENDOUR THAT WAS EGYPT

Margaret A. Murray

Appendix

4

The New Year of God

Cornhill Magazine 1934

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God, and the narrow streets are full of the soft sound of bare feet moving towards the Nile. The village lies on a strip of ground; one one side is the river, now swollen to its height, on the other are the floods of the inundation spread in a vast sheet of water to the edge of the desert. On a windy night the lapping of wavelets is audible on every hand; but to-night the air is calm and still, there is no sound but the muffled tread of unshod feet in the dust and the murmur of voices subdued in the silence of the night.

In ancient times throughout the whole of Egypt the night of High Nile was a night of prayer and thanks giving to the great god , the Ruler of the river, Osiris himself. Now it is only in this Coptic village that the ancient rite is preserved, and here the festival is still one of prayer and thanksgiving. In the great cities the New Year is a time of feasting and processions, as blatant and uninteresting as a Lord Mayor's Show, with that additional note of piercing vulgarity peculiar to the East.

In this village, far from all great cities, and-as a Coptic community-isolated from and therefore uninfluenced either by its Moslem neighbours or by foreigners, the festival is one of simplicity and piety. The people pray as of old to the Ruler of the river, no longer Osiris, but Christ; and as of old they pray for a blessing upon their children and their homes.

There are four appointed places on the river bank to which the village women go daily to fill their water-jars and to water their animals. To these four places the villagers are now making their way, there to keep the New Year of God.

The river gleams coldly pale and grey; Sirius blazing in the eastern sky casts a narrow path of light across the mile-wide waters. A faint glow low on the horizon shows where the moon will rise, a dying moon on the last day of the last quarter.

The glow gradually spreads and brightens till the thin crescent, like a fine silver wire, rises above the distant palms. Even in that attenuated form the moonlight eclipses the stars and the glory of Sirius is dimmed. The water turns to the colour of tarnished silver, smooth and glassy; the palm-trees close at hand stand black against the sky, and the distant shore is faintly visible. The river runs silently and without a ripple in the windless calm; the palm fronds, so sensitive to the least movement of the air, hang motionless and still; all Nature seems to rest upon this holy night.

The women enter the river and stand knee-deep in the running stream praying; they drink nine times, wash the face and hands, and dip themselves in the water. Here is a mother carrying a tiny wailing baby; she enters the river and gently pours the waternine times over the little head. The wailing ceases as the water cools the little hot face. Two anxious women hasten down the steep bank, a young boy between them; they hurriedly enter the water and the boy squats down in the river up to his neck, while the mother pours the water nine times with her hands over his face and shaven head. There is the sound of a little gasp at the first shock of coolness, and the mother laughs, a little tender laugh, and the grandmother says something under her breath, at which they all laugh softly together. After the ninth washing the boy stands up, then squats down again and is again washed nine times, and yet a third nine times; then the grandmother takes her turn and she also washes him nine times. Evidently he is very precious to the hearts of those two women, perhaps the mother's last surviving child. Another sturdy urchin refuses to sit down in the water, frightened perhaps, for a woman's voice speaks encouragingly, and presently a faint splashing and a little gurgle of childish laughter shows that he too is receiving the blessing of the Nauruz of God.

A woman stands alone, her slim young figure in its wet clinging garments silhouetted against the steel-grey water. Solitary she stands, apart from the happy groups of parents and children; then, stooping , she drinks from her once, pauses and drinks again; and so drinksnine times with a short pause between every drink and a longer pause between every three. Except for the movement of her hand as she lifts the water to her lips, she stands absolutely still, her body tense with the earnestness of her prayer, the very atmosphere round her charged with the agony of her supplication. Throughout the whole world there is only one thing which causes a woman to pray with such intensity, and that one thing is children. " This may be a childless woman praying for a child, or it may be that, in this land where Nature is as careless and wasteful of infant life as of all else, this a mother praying for the last of her little brood, feeling assured that on this festival of mothers and children her prayers must perforce be heard. At last she straightens herself, beats the water nine times with the corner of her garment, goes softly up the bank, and disappears in the darkness.

Little family parties come down to the river, a small child usually riding proudly on her father's shoulder. The men often affect to despise the festival as a woman's affair, but with memories in their hearts of their own mothers and their own childhood they sit quietly by the river and drink nine times. A few of the rougher young men fling themselves into the water and swim boisterously past, but public feeling is against them, for the atmosphere is one of peace and prayer enhanced by the calm and silence of the night.

Page 232 and 233 Continued.

For thousands of years on the night of High Nile the mothers of Egypt have stood in the great river to implore from the God of the Nile a blessing upon their children; formerly from a God who Himself has memories of childhood and a Mother. Now, as then, the stream bears on its broad surface the echo of countless prayers, the hopes and fears of human hearts; and in my memory remains a vision of the darkly flowing river, the soft murmur of prayer, the peace and calm of the New Year of God.

Abu Nauruz hallal.

 

THE WORD "NINE" OCCURS x 9 AND "NINTH" x 1

 

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God

 

 

N
=
5
-
6
NAURUZ
101
29
2
A
=
1
-
5
ALLAH
34
16
7
-
-
6
4
11
Add to Reduce
135
45
9
-
-
-
-
1+1
Reduce to Deduce
1+3+5
4+5
-
-
-
6
-
2
Essence of Number
9
9
9

 

 

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God

 

 

T
=
2
-
3
THE
33
15
6
N
=
5
-
3
NEW
42
15
6
Y
=
7
-
4
YEAR
49
22
4
O
=
6
-
2
OF
21
12
3
G
=
7
-
3
GOD
26
17
8
-
-
27
4
15
Add to Reduce
171
81
27
-
-
2+7
-
1+5
Reduce to Deduce
1+7+1
8+1
2+7
-
-
9
-
6
Essence of Number
9
9
9

 

 

THE HOLY BIBLE

Scofield Refrences

THE FIRST BOOK OF MOSES

CALLED

GENESIS

Page 17

C

9 V 9

AND

I BEHOLD I

ESTABLISH MY COVENANT WITH

YOU AND WITH YOUR SEED AFTER YOU

12

AND GOD SAID

THIS IS THE TOKEN OF THE COVENANT WHICH

I

MAKE

BETWEEN

ME

AND YOU AND

EVERY LIVING CREATURE THAT IS WITH YOU

FOR

PERPETUAL GENERATIONS

13

I

DO SET MY BOW IN THE CLOUD AND IT SHALL BE FOR A TOKEN OF

A

COVENANT

BETWEEN

ME

AND THE

EARTH

14

AND IT SHALL COME TO PASS WHEN

I

BRING

A

CLOUD OVER THE EARTH THAT THE BOW SHALL BE SEEN IN THE CLOUD

15

AND

I

WILL REMEMBER MY COVENANT WHICH IS BETWEEN

ME

AND YOU AND

EVERY LIVING CREATURE OF ALL

FLESH AND THE WATERS SHALL NO MORE BECOME A FLOOD TO DESTROY ALL FLESH

16

AND

THE BOW SHALL BE IN THE CLOUD

AND

I WILL LOOK UPON IT THAT I

MAY REMEMBER THE

EVERLASTING COVENANT BETWEEN

GOD

AND EVERY LIVING CREATURE OF ALL FLESH THAT IS UPON THE EARTH

 

 
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